The Thing, founded in 1991, is widely regarded as one of the first net art platforms, providing a space for artists to showcase their digital creations.

net.art, established by Jodi in 1995, is a significant net art platform that helped to define and shape the early net art movement.

Rhizome, founded in 1996, is a prominent net art platform that emphasizes critical and theoretical discourse, hosting articles, essays, and reviews on digital art.

ASCII Art Archives, established in 1995, is a dedicated platform for ASCII art, showcasing a vast collection of digital artworks created using ASCII characters.

The Thing, in addition to being an early net art platform, is notable for its focus on collaborative and participatory art projects, fostering a sense of community among net artists.

nettime, established by Vuk Cosic in 1998, is a significant net art platform that serves as a mailing list and online forum for discussions on digital culture, art, and politics.

Rhizome, in addition to its emphasis on critical discourse, also serves as a platform for showcasing and archiving net art exhibitions, preserving and documenting the history of net art.

Art Teleportacia, founded by Alexei Shulgin in 1996, is a notable net art platform that explores the concept of telepresence and the transmission of art through digital networks.

Rhizome, through its various programs and initiatives, actively supports and promotes emerging net artists, providing them with a platform to showcase their work and connect with the broader net art community.

irational.org, founded by Heath Bunting in 1995, is a significant net art platform that explores the intersections of art, technology, and politics, often addressing issues of surveillance and control.

Rhizome, in addition to its other initiatives, curates and presents net art exhibitions online, showcasing a diverse range of digital artworks and installations.

Furtherfield, founded by Cornelia Sollfrank in 1995, is a prominent net art platform that explores the relationship between art, technology, and social change, often engaging with issues of identity, community, and the digital realm.

Rhizome, through its various programs and exhibitions, actively promotes and showcases interactive and participatory net art projects, encouraging audience engagement and participation.

Blast Theory, founded by Rachel Greene in 1996, is a significant net art platform that explores the intersection of art, technology, and performance, often creating immersive and interactive experiences that engage audiences in new ways.

Rhizome, in addition to its other initiatives, actively archives and preserves net art projects and resources, ensuring the longevity and accessibility of digital artworks for future generations.