Cubism's defining characteristic is the simultaneous depiction of multiple perspectives of an object, breaking it down into geometric forms and reassembling them in a fragmented manner.

Pablo Picasso and Georges Braque are widely recognized as the founders of Cubism, collaborating closely to develop its techniques and principles.

Cubists typically employed a limited palette, often using neutral tones and earth colors, to emphasize form and structure rather than color.

Cubism challenged traditional representation by employing multiple perspectives, abstract forms, and collage techniques, breaking away from the conventions of realistic depiction.

Head of a Woman by Pablo Picasso is a notable example of Cubist sculpture, demonstrating the movement's principles of fragmentation and multiple perspectives in three-dimensional form.

Cubism's innovative techniques and ideas had a profound impact on subsequent art movements, influencing the development of Futurism, Constructivism, Abstract Expressionism, Pop Art, and Minimalism.

Cubism's significance lies in its radical break from traditional representation, its exploration of new dimensions of space and time, and its role in expanding the boundaries of artistic expression.

Les Demoiselles d'Avignon is widely considered to be Pablo Picasso's seminal Cubist masterpiece, marking a turning point in the development of the movement.

Cubism's multiple perspectives and fragmented forms challenged the notion of a single, objective reality, emphasizing the subjective and fragmented nature of perception and leading to a more abstract and conceptual approach to art.

Collage in Cubism served multiple purposes, including incorporating everyday objects into artworks, exploring new textures and materials, and facilitating the creation of fragmented and disjointed compositions.

Cubism's influence on architecture can be seen in the emergence of Deconstructivism, the use of geometric forms and fragmented planes, and the integration of art and architecture.

Henri Matisse is primarily associated with Fauvism, a movement that emphasized the use of pure colors and expressive brushwork, rather than Cubism.

Facet Cubism is the term used to describe the fragmented and multifaceted forms in Cubist paintings, emphasizing the multiple perspectives and planes of objects.

Cubism's emphasis on abstraction, fragmentation, and multiple perspectives contributed to the development of non-representational art, challenging traditional notions of mimesis and representation and encouraging artists to explore the expressive potential of form and color.

Synthetic Cubism is characterized by the use of collage and found objects, the incorporation of letters and words into artworks, and the creation of fragmented and disjointed compositions.