Lime mortar is a traditional material made from lime, sand, and water. It has been used for centuries in the construction and conservation of Indian monuments and artifacts.

The primary role of a conservator is to restore damaged artworks to their original state, while preserving their historical and aesthetic value.

Pigment analysis is a modern conservation method used to identify the pigments used in an artwork. This information can help conservators determine the age, origin, and condition of the artwork.

Conservators working with Indian art face a number of challenges, including lack of funding, lack of skilled labor, and lack of access to materials.

Inpainting is a traditional technique used in Indian art conservation to fill in missing areas of paint or other materials. It involves carefully matching the color and texture of the new material to the original artwork.

Consolidants are used in Indian art conservation to strengthen weakened materials, such as wood, stone, or metal. They help to stabilize the artwork and prevent further deterioration.

X-ray radiography, infrared reflectography, and dendrochronology are all modern techniques used in Indian art conservation to study the structure, composition, and age of artworks.

Documentation is essential in Indian art conservation to record the condition of the artwork, provide a history of the artwork, and facilitate future conservation treatments.

Natural pigments, such as those derived from plants, minerals, and insects, have been traditionally used in Indian art conservation to restore the original colors of artworks.

Adhesives are used in Indian art conservation to bond broken pieces of an artwork, secure loose elements, and fill in gaps and cracks.

3D scanning, digital imaging, and laser cleaning are all modern techniques used in Indian art conservation to document, study, and restore artworks.

Preventive conservation in Indian art conservation involves taking measures to prevent damage to artworks, slow down the deterioration of artworks, and maintain the condition of artworks.

Varnish application, gilding, and patina removal are all traditional techniques used in Indian art conservation to protect, decorate, and restore artworks.

Ethical considerations in Indian art conservation are important to respect the cultural and historical significance of artworks, ensure the authenticity of artworks, and protect the rights of artists and collectors.

Ultraviolet radiation treatment, X-ray fluorescence spectrometry, and gas chromatography-mass spectrometry are all modern techniques used in Indian art conservation to study the composition and condition of artworks.