Cubist photographers sought to break down objects into their component parts and then reassemble them in a way that would reveal their underlying structure and multiple viewpoints.

Cubist photography is characterized by the use of geometric shapes and forms, the fragmentation and reassembly of objects, and the use of multiple perspectives.

Cubism challenged traditional notions of representation, led to the emergence of new photographic techniques, and helped to establish photography as a legitimate art form.

Eugène Atget is known for his series of photographs of the Eiffel Tower, which he took from various angles and perspectives.

Hannah Höch, Raoul Hausmann, and Kurt Schwitters are all known for their photomontages, which combined elements of photography and collage.

Cubism influenced the work of later photographers in a number of ways, including leading to the development of abstract photography, inspiring photographers to experiment with new techniques and materials, and helping to establish photography as a medium for social and political commentary.

André Kertész's 'Distortion #19' is an example of a Cubist photograph because it uses geometric shapes and forms to create a fragmented and reassembled image.

Cubism challenged traditional notions of representation in photography by rejecting the idea of a single, fixed viewpoint, emphasizing the importance of abstraction and fragmentation, and exploring the relationship between the object and its representation.

Cubist photography is characterized by the use of multiple exposures, collage and photomontage, and geometric shapes and forms.

Cubism influenced the development of abstract photography by leading to the rejection of traditional notions of representation, encouraging photographers to experiment with new techniques and materials, and helping to establish photography as a legitimate art form.

Alvin Langdon Coburn is known for his series of photographs of New York City, which he took from various angles and perspectives.

Cubism influenced the work of later photographers such as Man Ray and László Moholy-Nagy by inspiring them to experiment with new techniques and materials, leading them to reject traditional notions of representation, and helping them to establish photography as a legitimate art form.

Hannah Höch's 'Cut with the Kitchen Knife', Raoul Hausmann's 'The Art Critic', and Kurt Schwitters' 'Merz 25' are all examples of Cubist photomontages.

Cubism influenced the development of photography as a medium for social and political commentary by leading to the emergence of documentary photography, inspiring photographers to use photography to raise awareness of social issues, and helping to establish photography as a medium for political protest.

Paul Strand's 'Blind Woman' is an example of a Cubist photograph that explores the relationship between the object and its representation by fragmenting and reassembling the image of the woman's face.