Interactive art's defining feature is its ability to engage the audience as active participants, allowing them to influence or modify the artwork through their actions.

Fluxus, an avant-garde art movement of the 1960s, played a significant role in the development of interactive art. Fluxus artists challenged traditional notions of art by creating participatory and ephemeral artworks.

Kinetic art is a form of interactive art where the artwork moves or changes in response to the audience's physical interaction. Examples include sculptures with moving parts or installations that respond to touch or motion.

Yayoi Kusama's 'The Obliteration Room' is an interactive installation where participants are given stickers with polka dots to cover the white walls, furniture, and objects in the room, transforming it into a colorful and immersive space.

Rafael Lozano-Hemmer's 'Pulse Topology' is an interactive installation where participants' heartbeats are detected and translated into a visual display, creating a collective and dynamic artwork that responds to the participants' emotions.

Digital art refers to interactive artworks that incorporate digital technologies to create immersive and responsive experiences. These artworks often involve computer-generated visuals, interactive interfaces, and sensors.

Studio Drift's 'Flylight' is an interactive art installation that features a swarm of illuminated drones flying in a choreographed pattern. The drones respond to the movements of the audience, creating a mesmerizing and dynamic display that blurs the boundaries between art and technology.

Interactive art aims to engage the audience as active participants, allowing them to interact with and influence the artwork. The focus is on creating an immersive and participatory experience that encourages exploration and discovery.

Olafur Eliasson's 'The Fog Sculpture' is an interactive art installation where participants walk through a dense fog, creating a disorienting and immersive experience. The fog transforms the surrounding environment, inviting the audience to explore their senses and perceptions.

Responsive art refers to interactive artworks that react and change in response to the physical presence or movements of the audience. These artworks use sensors, cameras, or other technologies to detect and respond to the audience's actions, creating a dynamic and engaging experience.

Carsten Holler's 'The Slide' is an interactive art installation that features a giant slide, allowing participants to experience a thrilling and disorienting ride. The slide's twists and turns create a sense of disorientation, challenging the audience's perception of space and gravity.

Interactive art challenges traditional notions of art and creativity by inviting audience participation and blurring the lines between artist and audience. It promotes collaboration and interdisciplinary practices, as artists work with technologists, designers, and other experts to create immersive and engaging experiences. Interactive art also expands the boundaries of artistic expression by incorporating new technologies and allowing artists to explore novel ways of communicating ideas and emotions.

Rafael Lozano-Hemmer's 'Audience' is an interactive art installation that uses surveillance cameras to track the movements of participants. The cameras generate a dynamic and responsive display, creating a sense of interconnectedness among the participants and highlighting the role of surveillance in contemporary society.

Sound art refers to interactive artworks that utilize sound as a primary medium for audience engagement. These artworks may involve sound installations, interactive soundscapes, or performances that explore the relationship between sound, space, and the audience's perception.

Studio Drift's 'Flylight' is an interactive art installation that features a swarm of illuminated drones that respond to the movements of the audience. The drones create a mesmerizing and dynamic display, blurring the boundaries between art and technology and inviting the audience to engage with the artwork through their physical presence.