The Royal Academy of Arts Summer Exhibition has been criticized for its focus on traditional techniques and its exclusion of contemporary art. Some artists and critics argue that this approach is outdated and does not reflect the diversity of contemporary art practices.

The 2018 Venice Biennale was embroiled in controversy due to the use of unpaid labor in the construction of the exhibition. Many artists and activists protested against the exploitation of workers, arguing that it was unethical to profit from their labor without compensation.

The Turner Prize has been criticized for its political bias and its tendency to favor artists with certain political views. Some critics argue that the prize is too focused on promoting a particular political agenda and that it does not give enough attention to the artistic merit of the work.

Tracey Emin's artwork, titled "My Bed", consisted of an unmade bed, complete with dirty sheets, condoms, and other personal items. The artwork was controversial because some critics argued that it was not art and that it did not deserve to win the Turner Prize.

The Whitney Biennial has been criticized for its lack of transparency in the selection process and its alleged favoritism towards certain artists. Some artists and critics have accused the biennial of being too focused on promoting the work of a small group of established artists and of neglecting emerging and underrepresented artists.

The 2017 Documenta exhibition was embroiled in controversy due to the inclusion of artworks that were considered anti-Semitic. One artwork, titled "People's Justice", depicted a figure with a hooked nose and a Star of David on its forehead. The artwork was widely condemned as anti-Semitic and led to calls for its removal from the exhibition.

The Guggenheim International Prize has been criticized for its elitism and its focus on promoting the work of established artists. Some critics argue that the prize is too focused on rewarding artists who are already well-known and that it does not give enough attention to emerging and underrepresented artists.

Arthur Jafa's artwork, titled "The White Album", was criticized by some for being too political. The artwork consisted of a video montage that explored themes of race, identity, and violence in the United States. Some critics argued that the artwork was too overtly political and that it did not belong in an art exhibition.

The Whitney Biennial has been criticized for its lack of inclusivity and its tendency to overlook the work of artists from marginalized communities. Some critics argue that the biennial is too focused on promoting the work of a small group of established artists and that it does not give enough attention to emerging and underrepresented artists.

Array Collective's artwork, titled "The Druithaib's Ball", was criticized by some for being too commercial. The artwork consisted of a large-scale installation that featured a replica of a traditional Irish pub. Some critics argued that the artwork was more like a marketing campaign than a work of art.

The Royal Academy of Arts Summer Exhibition has been criticized for its high entry fees and its tendency to exclude emerging artists who cannot afford to participate. The entry fee for the exhibition is £250, which is a significant financial barrier for many artists.

Simone Leigh's artwork, titled "Sovereignty", was criticized by some for being too political. The artwork consisted of a large-scale sculpture of a Black woman holding a sword. Some critics argued that the artwork was too overtly political and that it did not belong in an art exhibition.

The Turner Prize has been criticized for its lack of transparency in the judging process and its alleged favoritism towards certain artists. Some artists and critics have accused the prize of being too focused on promoting the work of a small group of established artists and of neglecting emerging and underrepresented artists.

Kader Attia's artwork, titled "The Repair", was criticized by some for being too political. The artwork consisted of a series of sculptures that explored themes of colonialism, migration, and the refugee crisis. Some critics argued that the artwork was too overtly political and that it did not belong in an art exhibition.