Ambient miking involves placing microphones at a distance from the sound source to capture the natural reverberation and ambience of the performance space.

Compression is used to reduce the dynamic range of a signal, making the loud parts quieter and the quiet parts louder, resulting in a more consistent and balanced sound.

Condenser microphones are often preferred for recording vocals due to their high sensitivity and ability to capture subtle nuances and details.

Reverb is used to simulate the natural reverberation of a sound in a room or space, adding depth and ambience to the sound.

The Decca tree is a microphone array technique that involves placing three microphones in a triangular formation above the ensemble, capturing a wide and balanced sound.

A limiter is used to prevent clipping and distortion by limiting the maximum amplitude of a signal, ensuring that it does not exceed a certain threshold.

Condenser microphones are often preferred for recording acoustic guitar due to their ability to capture the natural warmth and detail of the instrument.

A gate is used to remove unwanted noise from a signal by closing the gate when the signal level falls below a certain threshold.

Close miking is commonly used for recording drums, as it involves placing microphones close to each drum and cymbal to capture the individual sounds.

An equalizer is used to adjust the frequency response of a signal, allowing the engineer to boost or cut specific frequencies to achieve the desired sound.

Dynamic microphones are often preferred for recording electric guitar due to their ability to handle high sound pressure levels and their resistance to feedback.

A de-esser is used to reduce harsh sibilance in a vocal track by attenuating the high frequencies that can cause sibilant sounds to become overly prominent.

Multitrack recording is commonly used in live concerts to capture the individual sounds of each instrument and vocal, allowing for greater control over the mix during post-production.

Panning is used to create a stereo effect by placing sounds in different positions across the stereo field, allowing the listener to perceive the direction from which the sounds are coming.

Spot miking is commonly used for recording solo instruments, as it involves placing a microphone close to the instrument to capture the direct sound.