It involves audience participation.

It is created using traditional materials.

It is static and non-responsive.

It is primarily concerned with aesthetics.

Yayoi Kusama

Andy Warhol

Vincent van Gogh

Claude Monet

It emphasizes the role of the audience as co-creators.

It diminishes the significance of the artist's individual vision.

It reinforces the separation between artist and viewer.

It prioritizes the aesthetic value of the artwork over its interactive elements.

Interactive art often incorporates technology to facilitate audience participation.

Interactive art is solely dependent on technology for its creation and execution.

Interactive art rejects the use of technology in favor of traditional artistic media.

Interactive art is completely independent of technological advancements.

It allows individuals to explore and express their personal identities through participation.

It reinforces fixed notions of identity and subjectivity.

It diminishes the significance of individual identity in favor of collective experiences.

It disregards the role of identity and subjectivity in artistic expression.

Interactive art raises questions about privacy, consent, and the boundaries between public and private space.

Interactive art is free from ethical concerns as it is primarily focused on aesthetics.

Interactive art does not have any significant ethical implications.

Interactive art is solely concerned with the artist's freedom of expression.

It has expanded the definition of what constitutes an artwork.

It has diminished the importance of traditional art forms.

It has led to a decline in the value of artistic skill and craftsmanship.

It has no significant impact on contemporary art practices.

Technical difficulties and the need for specialized skills.

Lack of funding and support for interactive art projects.

Resistance from traditional art institutions and audiences.

All of the above.

It allows audiences to actively engage with the artwork and shape its meaning.

It emphasizes the importance of passive observation and contemplation.

It reinforces the separation between artwork and audience.

It prioritizes the artist's individual vision over audience participation.

It can provide a platform for artists to express their views and engage in social commentary.

It can encourage audiences to reflect on and discuss important issues.

It can facilitate collaboration and collective action to address social problems.

All of the above.

It has challenged traditional notions of the museum as a passive viewing space.

It has led to a decline in the importance of physical exhibitions.

It has reinforced the separation between artist and audience.

It has no significant impact on the role of the museum and gallery.

Advancements in technology and digital media.

Changing attitudes towards audience participation and interactivity.

A desire to create more immersive and engaging artistic experiences.

All of the above.

It emphasizes the importance of technical proficiency and mastery of traditional techniques.

It diminishes the significance of artistic skill and craftsmanship in favor of audience participation.

It creates a new definition of artistic skill that values collaboration and interdisciplinary practices.

It has no impact on traditional notions of artistic skill and craftsmanship.

It can be difficult to maintain and preserve interactive artworks over time.

It may require specialized knowledge or skills to operate or interact with the artwork.

It can be challenging to ensure that all audiences have equal access to and engagement with interactive artworks.

All of the above.

It has led to a greater appreciation for the role of technology in artistic expression.

It has reinforced the idea that technology is antithetical to artistic creativity.

It has created a divide between artists who embrace technology and those who reject it.

It has had no significant impact on the relationship between art and technology.