The Rasa theory emphasizes the ability of literature to evoke specific emotions or sentiments (rasas) in the reader or audience.

Sri Aurobindo is widely regarded as the father of modern Indian literary criticism due to his significant contributions to the field, including his emphasis on the spiritual and mystical aspects of literature.

Maya, the concept of illusion or unreality, is a fundamental principle in Advaita Vedanta and has influenced Indian literary theory by shaping perspectives on the nature of reality and the role of literature in representing it.

The Dhvani theory emphasizes the importance of figurative language, particularly suggestion and implication, in conveying meaning and creating aesthetic pleasure in literature.

Anandavardhana, a prominent Indian literary theorist, introduced the concept of 'rasa-dhvani', which integrates the Rasa and Dhvani theories, highlighting the interplay between emotions and suggested meanings in literary works.

The 'Vakrokti' theory emphasizes the use of indirect and circuitous language, suggesting multiple meanings and creating a sense of complexity and depth in literary expression.

Bharata Muni, the author of the ancient Sanskrit treatise 'Natya Shastra', is regarded as one of the earliest proponents of the 'Rasa' theory, which focuses on the evocation of emotions through dramatic performance.

Dandin, a renowned Indian literary theorist, introduced the concept of 'Alaṅkāra' (ornamentation) as a fundamental aspect of poetic expression, emphasizing the use of figurative language and rhetorical devices to enhance the beauty and impact of literary works.

The 'Rīti' school of Indian literary theory emphasizes the adherence to strict rules and conventions of poetic composition, focusing on aspects such as meter, rhyme, and the use of specific poetic devices.

Anandavardhana, a prominent Indian literary theorist, is renowned for his work on the 'Dhvani' theory, which delves into the concept of suggested meaning and implication in poetry, emphasizing the significance of what is left unsaid.

The 'Aucitya' theory in Indian aesthetics emphasizes the importance of using language that is appropriate to the context and genre of a literary work, ensuring that the expression matches the intended purpose and audience.

Abhinavagupta, a renowned Indian literary theorist, introduced the concept of 'Rasa-nirṇaya', a systematic method for identifying and classifying the different types of 'rasas' (emotions) that can be evoked by literature.

Bhartṛhari's 'Vakyapadiya' is a significant work in Indian aesthetics that delves into the intricate relationship between language and reality, exploring the nature of meaning, expression, and communication.

Dandin, a prominent Indian literary theorist, is renowned for his work on the 'Alaṅkāra-śāstra', a comprehensive treatise on poetic ornamentation and rhetorical devices, which greatly influenced the development of Indian poetics.