The Ecstasy of Saint Teresa is a marble sculpture by Italian artist Gian Lorenzo Bernini, completed in 1652. It is considered one of the most famous works of Baroque sculpture and is housed in the Cornaro Chapel of the Church of Santa Maria della Vittoria in Rome.

Baroque sculpture is characterized by its use of exaggerated forms and movement, creating a sense of drama and emotion. This is in contrast to the more restrained and naturalistic style of Renaissance sculpture.

Gian Lorenzo Bernini was an Italian sculptor, painter, architect, and playwright. He is considered one of the most important artists of the Baroque period, and his works are characterized by their dynamic and expressive style.

Marble is a common material used in Baroque sculpture due to its durability and ability to capture intricate details. It is also a relatively soft material, making it easier to carve and shape.

Christian iconography is a prominent theme in Baroque sculpture, as the Church was a major patron of the arts during this period. Many sculptures depict scenes from the Bible or portray saints and other religious figures.

Ecstasy is a term used to describe a type of Baroque sculpture that depicts a dramatic or emotional scene, often involving a religious or mythological figure. These sculptures are characterized by their expressive gestures and exaggerated forms.

François Girardon was a French sculptor who is known for his monumental works, including the Sun King at Versailles. His works are characterized by their classical style and attention to detail.

Group sculpture is a type of Baroque sculpture that depicts a group of figures arranged in a dynamic composition. These sculptures are often used to tell a story or convey a message.

Baroque sculpture is often characterized by its emotional intensity, which is intended to evoke a sense of awe and wonder in the viewer. This is achieved through the use of exaggerated forms, dramatic gestures, and expressive facial expressions.

Contraposto is a term used to describe a type of Baroque sculpture that depicts a figure in a twisted or contorted pose. This technique is used to create a sense of movement and energy in the sculpture.

Allegory is a prominent theme in Baroque sculpture that reflects the cultural and political climate of the time. Allegorical sculptures often depict abstract concepts or ideas through the use of symbols and metaphors.

Multi-figure sculpture is a type of Baroque sculpture that depicts a figure with multiple heads or bodies. These sculptures are often used to represent complex ideas or concepts.

Trompe l'oeil is a technique used in Baroque sculpture to create a sense of realism and naturalism. This technique involves painting or sculpting objects in such a way that they appear to be three-dimensional.

Ecstasy is a term used to describe a type of Baroque sculpture that depicts a figure in a state of ecstasy or spiritual rapture. These sculptures are often characterized by their expressive gestures and exaggerated forms.

Christian iconography is a prominent theme in Baroque sculpture, as the Church was a major patron of the arts during this period. Many sculptures depict scenes from the Bible or portray saints and other religious figures.