Spectator Theory posits that the audience is an active participant in the filmmaking process, bringing their own experiences and interpretations to the film.

Tracking involves moving the camera alongside a moving subject, keeping it in the frame.

Cross-Cutting involves cutting between two or more scenes that are happening simultaneously, creating a sense of parallel action.

The protagonist is the central character in a story who drives the plot and undergoes a significant transformation or journey.

Auteur Theory focuses on the director as the primary creative force behind a film, emphasizing their unique style and vision.

Focus Pulling involves adjusting the lens to shift the focus from one subject to another, creating a dynamic effect.

Dissolve involves gradually fading one shot into another, creating a seamless transition.

The climax is the turning point in a story where the conflict reaches its highest intensity and is resolved.

Marxist Theory analyzes film through the lens of class struggle and economic structures, emphasizing the social and political context in which it is produced.

Lighting Design involves manipulating light to create a specific mood, atmosphere, or visual effect in a scene.

Jump Cut involves cutting from one shot to another without a smooth transition, creating a jarring or disorienting effect.

Rising Action refers to the events in a story that build tension and lead up to the climax.

Structuralist Theory focuses on the film's form and structure, analyzing how it creates meaning through its narrative, editing, and cinematography.

Wide Shot involves using a wide-angle lens to capture a broad view of a scene, creating a sense of depth and perspective.

Cross-Cutting involves cutting between two or more scenes that are happening simultaneously, creating a sense of parallel action or contrasting ideas.