The primary ethical responsibility of a filmmaker is to tell the truth, even if it is inconvenient or unpopular.

Filmmakers face a variety of ethical issues, including censorship, copyright infringement, and misrepresentation of facts.

Filmmakers can balance their artistic freedom with their ethical responsibilities by self-censoring their work, seeking input from others, and considering the potential consequences of their work.

Documentary filmmakers face a variety of ethical issues, including objectivity, consent, and privacy.

Documentary filmmakers can ensure that their work is objective by presenting all sides of an issue, avoiding bias, and using neutral language.

Fiction filmmakers face a variety of ethical issues, including violence, sex, and language.

Fiction filmmakers can ensure that their work is ethical by considering the potential impact of their work on the audience, avoiding gratuitous violence and sex, and using language that is appropriate for the intended audience.

Film marketers and distributors face a variety of ethical issues, including false advertising, deceptive trailers, and misleading release dates.

Film marketers and distributors can ensure that their work is ethical by being honest and transparent with the audience, avoiding false advertising and deceptive trailers, and releasing films on the dates that they were promised.

Film exhibitors face a variety of ethical issues, including censorship, film piracy, and discrimination.

Film exhibitors can ensure that their work is ethical by complying with all applicable laws and regulations, refusing to show films that are censored or pirated, and providing equal access to films for all audiences.

Film preservationists and restorers face a variety of ethical issues, including copyright infringement, misrepresentation of the original work, and destruction of the original work.

Film preservationists and restorers can ensure that their work is ethical by obtaining the necessary permissions from the copyright holders, being faithful to the original work, and taking steps to preserve the original work.

Film teachers face a variety of ethical issues, including censorship, bias, and misrepresentation of film history.

Film teachers can ensure that their work is ethical by being open-minded and tolerant of different viewpoints, presenting a balanced and accurate view of film history, and avoiding censorship and bias.