Art Nouveau ceramists drew inspiration from Japanese art and aesthetics, particularly the sinuous lines and organic motifs found in Japanese prints and paintings.

Emile Gallé is widely recognized as a pioneer of Art Nouveau ceramics design, known for his innovative techniques and incorporation of natural forms into his works.

Art Nouveau ceramists often employed lustre glaze, a type of metallic glaze that produces a shimmering, iridescent effect, to enhance the decorative appeal of their works.

Pâte-sur-pâte is a ceramic technique where multiple layers of colored clay are applied to the surface of a ceramic piece, allowing for the creation of intricate patterns and designs.

Art Nouveau ceramists frequently drew inspiration from nature, incorporating floral and plant motifs into their designs to evoke a sense of organic beauty and vitality.

René Lalique was a prominent Art Nouveau ceramicist who gained recognition for his innovative use of pâte-de-verre, a glass-like ceramic material, to create intricate and visually stunning pieces.

Art Nouveau ceramic vases were often characterized by exaggerated curves and sinuous lines, reflecting the movement's emphasis on organic forms and natural inspiration.

Jean Carriès was an Art Nouveau ceramicist known for his distinctive stoneware pottery, which often featured stylized plant and animal motifs, as well as a rough and textured surface.

Slip trailing is a technique where a liquid clay mixture, called slip, is applied to the surface of a ceramic piece using a trailing tool, creating raised lines or patterns.

Alexandre Bigot was an Art Nouveau ceramicist renowned for his innovative use of glazes, particularly his flambé glazes, which produced vibrant and unpredictable color effects.

Art Nouveau ceramists produced a wide range of ceramic objects, including vases, tiles, figurines, and tableware, each showcasing the movement's distinctive style and motifs.

Paul Gauguin, while primarily known as a painter, also experimented with ceramics during his time in Pont-Aven, France. His ceramic sculptures often incorporated elements of symbolism and allegory, reflecting his interest in primitive art and spirituality.

Art Nouveau ceramic tiles were often adorned with intricate floral and geometric patterns, showcasing the movement's emphasis on organic forms and stylized ornamentation.

Félix Bracquemond was an Art Nouveau ceramicist who experimented with low-fire earthenware, creating delicate and translucent pieces that showcased his mastery of glaze techniques.

Art Nouveau ceramists explored various themes in their works, including the beauty of nature, the female form, and symbolism and allegory, reflecting the movement's eclectic and multifaceted nature.