Jean Rouch is often credited with pioneering the cinéma vérité style in the 1950s with his film Chronique d'un été (1961).

The term cinéma direct is often used interchangeably with cinéma vérité, particularly in English-speaking countries.

Cinéma vérité filmmakers typically use natural lighting and handheld cameras to capture real-life events as they unfold.

Cinéma vérité filmmakers aim to capture the truth of a situation by observing and recording events as they happen, without interfering or manipulating them.

Cinéma vérité films typically focus on real-life events and issues, rather than fictional narratives.

The Battle of Algiers (1966), directed by Gillo Pontecorvo, is widely regarded as a classic example of cinéma vérité for its realistic depiction of the Algerian War of Independence.

Frederick Wiseman is known for his observational documentaries that explore everyday life and human behavior, often focusing on institutions such as hospitals, schools, and prisons.

Candid camera is a technique used in documentary filmmaking to film subjects without their knowledge or consent.

Lack of informed consent is not typically a concern associated with cinéma vérité filmmaking, as subjects are often filmed without their knowledge or consent.

Cinéma vérité filmmakers typically avoid manipulation or staging of events, aiming to capture the truth of a situation as it unfolds.

Extensive use of music is not typically a common technique in cinéma vérité filmmaking, as it can interfere with the realism and authenticity of the film.

Cinéma vérité filmmakers often face challenges such as lack of control over the events being filmed, technical difficulties with equipment, and difficulty in obtaining funding.

Cinéma vérité films typically focus on serious and socially relevant issues, rather than celebrity gossip.

Cinéma vérité films often adopt a subjective and personal perspective, allowing the filmmaker's point of view to shape the narrative.

Cinéma vérité filmmakers typically use handheld cameras to capture the action, rather than a tripod.