Tempera, a mixture of pigments and egg yolk, was the primary painting material used during the Renaissance period.

Impressionism, a 19th-century art movement, is characterized by its use of bright colors and bold brushstrokes to capture the fleeting effects of light and atmosphere.

Ink, made from soot or other pigments mixed with water, is the primary painting material in traditional Chinese painting.

Cubism, a 20th-century art movement, is known for its use of geometric shapes and multiple perspectives to depict objects from different viewpoints simultaneously.

Watercolors, made from pigments suspended in water, are the primary painting material used in watercolor painting.

Surrealism, a 20th-century art movement, is characterized by its use of automatic drawing and surreal imagery to explore the subconscious mind and dreams.

Acrylics, made from pigments suspended in acrylic resin, are the primary painting material used in acrylic painting.

Abstract Expressionism, a 20th-century art movement, is known for its use of large, gestural brushstrokes and abstract forms to express emotions and inner experiences.

Oil paints, made from pigments suspended in oil, are the primary painting material used in oil painting.

Neo-Impressionism, a late 19th-century art movement, is characterized by its use of pointillism, a technique of applying small dots of color to create optical effects and a sense of luminosity.

Fresco painting involves applying pigments mixed with lime onto a wet plaster surface, creating a durable and long-lasting artwork.

Dadaism, a 20th-century art movement, is known for its use of collage, found objects, and anti-art sentiments to challenge traditional notions of art and beauty.

Encaustic painting involves mixing pigments with hot wax and applying it to a surface, creating a durable and luminous artwork.

Minimalism, a 20th-century art movement, is characterized by its use of monochromatic palettes, simple forms, and a focus on the essential qualities of objects.

Pastel painting involves applying pigments mixed with chalk and gum to a surface, creating a soft and powdery effect.