Serialism is a compositional technique that involves organizing musical elements, such as pitch, duration, and dynamics, in a predetermined order or series.

Electroacoustic music, musique concrète, and computer music are all terms used to describe the use of electronic and digital instruments in contemporary music.

Timbre, which refers to the unique sound quality of an instrument or voice, is a commonly manipulated musical element in contemporary music.

Musique concrète is a compositional technique that involves the use of recorded sounds from the natural world.

Synthesizers, samplers, and drum machines are all commonly used technologies in contemporary music composition.

Aleatoric music is a compositional technique that involves the use of chance or indeterminacy, allowing for unpredictable or random elements in the music.

Repetition, ostinato, and drone are all common compositional techniques used in minimalist music.

Sprechstimme is a vocal technique that involves speaking or reciting text in a musical context, often used in contemporary music.

Harmonic analysis, timbral analysis, and spectral filtering are all common compositional techniques used in spectral music.

Microtonal music, xenharmonic music, and just intonation are all terms used to describe the use of microtones in contemporary music.

Pastiche, collage, and appropriation are all common compositional techniques used in postmodern music.

Live electronics, interactive music, and real-time music are all terms used to describe the use of live electronics in contemporary music.

Tape music, fixed media, and sound diffusion are all common compositional techniques used in electroacoustic music.

Spatialization, surround sound, and multichannel audio are all terms used to describe the use of spatialization in contemporary music.

Algorithmic composition, generative music, and interactive music are all common compositional techniques used in computer music.