The sublime is typically characterized by feelings of awe, wonder, and overwhelming emotion, rather than beauty or pleasure.

Edmund Burke's influential work, 'A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful,' laid the foundation for much of the subsequent discourse on the sublime in art.

Burke argued that the sublime arises from experiences of power, vastness, and overwhelming force.

Kant distinguished between the sublime and the beautiful, arguing that the sublime evokes feelings of awe and astonishment, while the beautiful is characterized by harmony and proportion.

The sublime is often associated with vastness, chaos, and overwhelming power, rather than order and symmetry.

Romanticism, with its emphasis on emotion, nature, and the individual, is closely linked to the concept of the sublime.

J.M.W. Turner's dramatic and awe-inspiring landscapes are often seen as embodiments of the sublime.

The sublime in music is often conveyed through the use of dynamics, creating a sense of overwhelming power and emotion.

While nature, religion, and death are frequently explored in relation to the sublime, love is not typically a central theme.

The sublime is typically associated with strong emotions and a sense of awe, rather than indifference.

Contemporary artists employ various strategies, including abstraction, minimalism, conceptual art, and performance art, to explore the sublime in new and innovative ways.

While the sublime has been a subject of philosophical and aesthetic inquiry for centuries, it remains a relevant and dynamic concept in contemporary art.

The sublime is typically associated with awe and wonder, rather than boredom.

The sublime is more likely to evoke feelings of humility and insignificance rather than increased self-confidence.

While language can be a tool for expressing and understanding the sublime, it is not necessarily a limiting factor in its complexity.