The Natyashastra, attributed to the sage Bharata, is an ancient Sanskrit text that deals with the theory of dramaturgy and performance arts. It is considered the foundational work on Indian aesthetics, covering topics such as rasa, abhinaya (acting), and stagecraft.

Bharata Muni, the author of the Natyashastra, is credited with developing the concept of 'rasa' (aesthetic experience) in Indian aesthetics. Rasa refers to the emotional response evoked in the audience through the performance of art, and it is considered a central concept in Indian aesthetics.

The Kavyadarsha, written by Dandin in the 7th century CE, is known for its detailed analysis of poetic figures of speech (alankara) and their aesthetic effects. It is considered an important text in Indian aesthetics for its insights into the nature of poetic language and its ability to evoke rasa.

Abhinavagupta, a Kashmiri philosopher and aesthetician, is the author of the influential text 'Abhinavabharati', a commentary on the Natyashastra. His work is known for its in-depth analysis of rasa, abhinaya, and other concepts of Indian aesthetics.

The Dhvanyaloka, written by Anandavardhana in the 9th century CE, is considered a landmark in the development of Indian aesthetics due to its focus on the concept of 'dhvani' (suggestion). Dhvani refers to the implied or suggested meaning in a literary work, and Anandavardhana argues that it is the primary source of aesthetic pleasure in poetry.

Bhoja, a polymath king and aesthetician, is the author of the text 'Shringara Prakasa', which explores the concept of erotic love (shringara) and its portrayal in literature. His work is known for its detailed analysis of the various aspects of shringara and its role in evoking rasa.

The Alankara Shastra, a genre of Sanskrit texts, is known for its discussion of the concept of 'alamkara' (poetic ornamentation) and its role in enhancing the aesthetic appeal of poetry. These texts provide a systematic analysis of various poetic devices and their effects on the reader's experience.

The Kamasutra, attributed to the sage Vatsyayana, is an ancient Indian text that is considered a treatise on the art of love and erotic pleasure. It covers a wide range of topics related to sexual techniques, lovemaking, and the psychology of love.

Bharata Muni is the author of the text 'Natya Shastra', which is considered the foundational work on Indian dramaturgy and performance arts. The text provides a comprehensive analysis of various aspects of theater, including acting, dance, music, and stagecraft.

The Natyashastra, attributed to Bharata Muni, is known for its discussion of the concept of 'rasa' (aesthetic experience) and its eight primary types. Rasa refers to the emotional response evoked in the audience through the performance of art, and the Natyashastra provides a detailed analysis of how different elements of theater contribute to the creation of rasa.

Abhinavagupta is the author of the text 'Abhinavabharati', which is a commentary on the Natyashastra and is considered a significant work in Indian aesthetics. His commentary provides a detailed analysis of the concepts and theories presented in the Natyashastra, offering valuable insights into the nature of Indian theater and aesthetics.

The Dhvanyaloka, written by Anandavardhana, is known for its focus on the concept of 'dhvani' (suggestion) and its role in creating aesthetic pleasure in poetry. Dhvani refers to the implied or suggested meaning in a literary work, and Anandavardhana argues that it is the primary source of aesthetic pleasure in poetry.

Bhoja is the author of the text 'Shringara Prakasa', which explores the concept of erotic love (shringara) and its portrayal in literature. His work is known for its detailed analysis of the various aspects of shringara and its role in evoking rasa.

The Alankara Shastra, a genre of Sanskrit texts, is known for its discussion of the concept of 'alamkara' (poetic ornamentation) and its role in enhancing the aesthetic appeal of poetry. These texts provide a systematic analysis of various poetic devices and their effects on the reader's experience.