Hinduism, Buddhism, and Jainism are the three major religions that have significantly influenced Indian aesthetics. Christianity, on the other hand, has had a relatively minor impact on Indian art and aesthetics.

In Indian aesthetics, the primary purpose of art is to lead the viewer towards spiritual liberation or moksha. This is achieved through the creation of art that is both beautiful and meaningful, and that evokes a sense of transcendence.

Indian religious art often depicts gods and goddesses, scenes from religious texts, and symbolic representations of spiritual concepts. These themes are used to convey religious teachings and inspire devotion in the viewer.

The nine rasas in Indian aesthetics are Shringara (erotic), Hasya (comic), Karuna (pathetic), Raudra (furious), Veera (heroic), Bhayanaka (terrible), Bibhatsa (disgusting), Adbhuta (wonderful), and Shanta (peaceful). Therefore, Adbhuta (wonderful) is not a rasa.

Bharatanatyam, Kathakali, and Kuchipudi are all classical Indian dance forms that are strongly associated with religious themes and stories. Odissi, on the other hand, is a classical dance form that is more focused on secular themes and is not as closely tied to religion.

Bhakti, or devotion, is a key aspect of Indian religious thought that emphasizes the emotional connection between the devotee and the divine. This emotional connection often leads to the creation of art that is more expressive and emotionally charged.

The Nagara style of Indian architecture is most closely associated with Hindu religious architecture. It is characterized by its tall, curvilinear spires and its intricate carvings.

Maya, or illusion, is a fundamental concept in Indian philosophy that refers to the illusory nature of the material world. This concept encourages artists to explore the relationship between appearance and reality, and to create art that reflects the underlying unity of all things.

The mridangam is a percussion instrument that is commonly used in religious music in India. It is a barrel-shaped drum that is played with the hands.

Dharma, or righteousness, is a central tenet of Indian religious thought that emphasizes the importance of ethical conduct and social responsibility. This concept often leads to the creation of art that is didactic and moralistic, and that seeks to promote positive values and behaviors.

Miniature painting, sculpture, and textiles are all Indian art forms that are often associated with religious themes. Pottery, on the other hand, is an art form that is more commonly used for utilitarian purposes and is not as closely tied to religion.

Moksha, or liberation, is a key goal in Indian religious thought that refers to the release from the cycle of birth and rebirth. This concept often leads to the creation of art that is more abstract and symbolic, and that seeks to transcend the limitations of the material world.

Kathakali is a classical Indian dance form that is most closely associated with Buddhist religious themes. It is characterized by its elaborate costumes, masks, and highly stylized movements.

Karma, or action, is a fundamental principle in Indian religious thought that refers to the belief that every action has a corresponding reaction. This concept encourages artists to explore the relationship between cause and effect, and to create art that reflects the consequences of human actions.

Sculpture is the Indian art form that is most closely associated with Jain religious themes. Jain sculptures often depict tirthankaras, or enlightened beings, and are characterized by their intricate details and symbolic meanings.