The Delhi Gharana is the oldest and most influential gharana in Dadra music, known for its emphasis on intricate ornamentation, melodic elaboration, and expressive renditions.

Faiyaz Khan, also known as Ustad Faiyaz Khan, is credited with founding the Agra Gharana. He was known for his emotive and soulful renditions of Dadra music.

The Patiala Gharana is known for its emphasis on rhythmic intricacies, fast-paced renditions, and the use of intricate taans and bol-baant.

Pandit Jasraj is a renowned vocalist and a prominent representative of the Kirana Gharana. He is known for his emotive and soulful renditions of Dadra music.

Drut is the term used to describe the concluding section of a Dadra performance. It is characterized by a gradual increase in tempo and intensity, leading to a climactic finish.

The Gwalior Gharana is known for its emphasis on purity of tone, clarity of diction, and adherence to traditional forms. It is considered one of the most conservative gharanas in Dadra music.

Alladiya Khan is widely regarded as the founder of the Jaipur-Atrauli Gharana. He was known for his innovative approach to Dadra music, incorporating elements from other genres and introducing new techniques.

The Patiala Gharana is known for its emphasis on improvisation and the use of intricate taans and bol-baant. It is considered one of the most progressive gharanas in Dadra music.

Bade Ghulam Ali Khan is a renowned vocalist and a prominent representative of the Agra Gharana. He was known for his emotive and soulful renditions of Dadra music.

Vilambit is the term used to describe the opening section of a Dadra performance. It is characterized by a slow tempo and a gradual build-up of intensity, setting the stage for the more elaborate sections that follow.

The Kirana Gharana is known for its emphasis on the use of bol-alap and the exploration of various emotional states. It is considered one of the most expressive gharanas in Dadra music.

Bade Ghulam Ali Khan is widely regarded as the founder of the Patiala Gharana. He was known for his innovative approach to Dadra music, incorporating elements from other genres and introducing new techniques.

The Gwalior Gharana is known for its emphasis on the use of gamaks and the exploration of microtones. It is considered one of the most technically demanding gharanas in Dadra music.

Madhya Laya is the term used to describe the middle section of a Dadra performance. It is characterized by a moderate tempo and a focus on melodic elaboration, allowing the artist to showcase their technical prowess and creativity.