Neorealism, a film movement that emerged in Italy after World War II, focused on depicting everyday life and social issues in a realistic and authentic manner.

Symbolism is a technique used in filmmaking to convey deeper meanings and emotions through the use of symbols, metaphors, and other visual elements.

Soviet Montage, a film theory movement that emerged in the Soviet Union in the 1920s, emphasized the use of montage and editing to create meaning and convey ideas.

Mise-en-scene refers to the overall visual style and aesthetic of a film, including elements such as lighting, composition, and set design.

Reader-Response Criticism, a film theory movement that emerged in the 1970s, emphasizes the importance of the audience's role in creating meaning in a film.

Sound Design refers to the use of music, sound effects, and other audio elements to enhance the emotional impact of a film.

Auteur Theory, a film theory movement that emerged in the 1950s, emphasizes the importance of the director's role in shaping the meaning of a film.

Cinematography refers to the use of lighting, composition, and other visual elements to create a specific mood or atmosphere in a film.

Marxist Criticism, a film theory movement that emerged in the 1930s, emphasizes the importance of social and political context in interpreting a film.

Continuity Editing refers to the use of editing to create a smooth and seamless flow of images and sounds in a film.

Formalism, a film theory movement that emerged in the 1920s, emphasizes the importance of the film's form and structure in creating meaning.

Color Grading refers to the use of color, lighting, and composition to create a specific visual style in a film.

Intertextuality, a film theory movement that emerged in the 1960s, emphasizes the importance of the film's relationship to other films and cultural texts.

Montage refers to the use of editing to create a sense of rhythm and pacing in a film.

Psychoanalytic Criticism, a film theory movement that emerged in the 1970s, emphasizes the importance of the film's relationship to the audience's psychology.