The Maihar Gharana is widely recognized for its unique approach to sarod playing, known for its rich, mellow tone and intricate melodic patterns.

Ustad Allauddin Khan is regarded as the founder of the Maihar Gharana and is known for his exceptional sarod playing skills and contributions to Hindustani classical music.

Ustad Amjad Ali Khan, Pandit Nikhil Banerjee, Ustad Rais Khan, and Ustad Shujaat Khan are all renowned sarod players who are associated with the Maihar Gharana.

The Maihar Gharana's sarod playing style is characterized by its emphasis on intricate melodic patterns, rich, mellow tone quality, and extensive use of gamaks and taans.

Raga Yaman is frequently associated with the Maihar Gharana's sarod playing and is known for its emotive and expressive nature.

The Maihar Gharana has played a crucial role in preserving traditional sarod playing techniques, contributing to the development of new ragas, and promoting the sarod as a solo instrument.

Pandit Ravi Shankar is not associated with the Maihar Gharana. He is known for his contributions to the sitar and is associated with the Senia Gharana.

The Maihar Gharana's approach to rhythm in sarod playing encompasses an emphasis on intricate rhythmic patterns, the use of complex talas, and the exploration of different rhythmic cycles.

Raga Bhairavi is not commonly associated with the Maihar Gharana's sarod playing. It is more commonly associated with the Gwalior Gharana.

The Maihar Gharana has made significant contributions to the evolution of sarod playing techniques, including the development of new fingering techniques, the exploration of different playing styles, and the preservation of traditional techniques.

Ustad Amjad Ali Khan is known for his innovative approach to sarod playing, incorporating elements from different Gharanas and creating a unique style that has influenced many sarod players.

The Maihar Gharana has played a crucial role in promoting the sarod as a solo instrument by encouraging solo performances, developing new solo repertoire, and raising the profile of the sarod in the world of Hindustani classical music.

Pandit Nikhil Banerjee was renowned for his mastery of the alap section in sarod playing, known for his ability to create intricate and emotive melodic phrases.

The Maihar Gharana's approach to the layakari aspect of sarod playing encompasses an emphasis on intricate rhythmic patterns, the exploration of different talas, and the use of complex rhythmic cycles.

Ustad Rais Khan is known for his virtuosic playing style and technical prowess on the sarod, showcasing intricate fingerwork and a wide range of musical expression.