Kinetic Art is characterized by the use of movement and motion as essential components of the artwork, creating a dynamic and engaging experience for the viewer.

Alexander Calder is considered a pioneer of Kinetic Art for his innovative use of mobiles, sculptures that move and sway in response to air currents or mechanical mechanisms.

Kinetic Sculpture refers to artworks that incorporate mechanical elements to create movement and motion. These sculptures often utilize motors, gears, and other mechanisms to achieve dynamic effects.

Surrealism, with its emphasis on the subconscious, chance, and the irrational, had a significant influence on the emergence of Kinetic Art. Surrealist artists explored the idea of movement and transformation, which resonated with the kinetic artists' desire to create dynamic and ever-changing artworks.

Optical Illusion refers to the perception of movement or motion in an artwork that is actually static. This illusion is often created through the use of patterns, colors, and shapes that trick the eye into perceiving movement.

Light Art refers to artworks that use light as their primary medium. These artworks often involve the manipulation of light through various techniques, such as projections, installations, and sculptures, to create dynamic and immersive experiences.

Interactive Art refers to artworks that allow the viewer to actively participate in and influence the artwork. This type of Kinetic Art often incorporates sensors, motion detectors, or other technologies that respond to the viewer's movements or actions, creating a dynamic and engaging experience.

George Rickey is renowned for his large-scale kinetic sculptures that harness the power of wind and natural forces to create dynamic and ever-changing compositions. His sculptures often consist of suspended elements that move and sway in response to the wind, creating a mesmerizing spectacle.

Kinetic Technology refers to the use of technology in Kinetic Art to create movement and motion. This can include the use of motors, gears, sensors, and other mechanical or electronic components to achieve dynamic effects and engage the viewer.

Fluxus was an artistic movement that emerged in the 1960s and embraced a wide range of artistic practices, including Kinetic Art, performance art, and technology. Fluxus artists sought to break down traditional boundaries between art and life, often creating interactive and participatory artworks that challenged conventional notions of art.

Kinetic Sound Art refers to artworks that combine elements of Kinetic Art and sound or music. These artworks often involve moving elements that produce sound or interact with sound in various ways, creating a multisensory experience for the viewer.

Olafur Eliasson is renowned for his interactive kinetic sculptures that explore the relationship between art, nature, and perception. His artworks often incorporate elements of light, sound, and movement, creating immersive and engaging experiences that invite viewers to participate and interact with the artwork.

Digital Kinetic Art refers to artworks that utilize digital technologies, such as computers and video, to create movement and motion. These artworks often involve interactive elements, allowing viewers to manipulate and influence the artwork through digital interfaces.

Cybernetic Art emerged in the 1950s and explored the relationship between art, technology, and cybernetics. Cybernetic artists incorporated elements of feedback loops, self-regulation, and information processing into their artworks, creating dynamic and interactive systems that responded to their environment.

Kinetic Robotics refers to artworks that incorporate elements of robotics and autonomous systems to create movement and motion. These artworks often involve self-propelled or self-controlled robots or robotic elements that interact with their environment or respond to external stimuli.