Georg Simmel's theory of fashion suggests that fashion trends originate in the upper classes and gradually diffuse to lower classes, influencing their clothing choices.

Fashion semiotics explores the symbolic meanings and cultural significance embedded in clothing and fashion, examining how they communicate social status, identity, and group affiliation.

Conspicuous consumption refers to the practice of acquiring and displaying expensive goods and services primarily to signal wealth and social status.

Pierre Bourdieu's theory of fashion and distinction posits that fashion is a means of social differentiation, where individuals use clothing to express their social status and distinguish themselves from other social groups.

Fashion conformity refers to the tendency of individuals to adopt fashion trends in order to conform to the norms and expectations of their social group.

Pierre Bourdieu's theory of habitus posits that individuals' fashion choices are shaped by their social class, cultural background, and embodied dispositions, which influence their perception of fashion and their clothing practices.

Fashion identity refers to the way in which clothing and fashion choices contribute to an individual's sense of self and their identification with particular social groups or subcultures.

Roland Barthes' theory of fashion as a form of symbolic communication posits that clothing conveys social messages and meanings, allowing individuals to communicate their social status, identity, and group affiliation.

Fashion prestige refers to the social and cultural value attached to certain fashion items or brands, which can confer status and distinction upon the wearer.

Erving Goffman's theory of fashion as a form of social performance posits that individuals use clothing to present a desired image of themselves to others, creating a 'front' that conforms to social expectations.

Fashion diffusion refers to the process by which fashion trends spread from one social group to another, often influenced by factors such as media, celebrities, and social networks.

Pierre Bourdieu's theory of fashion as a form of cultural capital posits that fashion can be used to accumulate social and economic advantage, as it can signal an individual's membership in a particular social class or group.

Fashion symbolism refers to the social and cultural meanings attached to certain fashion items or styles, which can convey messages about an individual's social status, identity, and group affiliation.

Georg Simmel's theory of fashion as a form of social control posits that fashion is used to regulate and maintain social order, as it can reinforce social hierarchies and distinctions between different social groups.

Fashion prestige refers to the social and cultural value attached to certain fashion items or brands, which can confer status and distinction upon the wearer.