Propaganda in art is primarily used to communicate a political message or ideology.

Socialist Realism, a style of art developed in the Soviet Union, is known for its use of propaganda to promote the communist ideology.

Propaganda and art differ in terms of their purpose, subjectivity, and the entities that commission them.

Picasso's Guernica, created in response to the bombing of the Basque town of Guernica during the Spanish Civil War, is a powerful indictment of the horrors of war.

Political art, propaganda art, and agitprop art all refer to the use of art to convey political messages.

World War I witnessed a surge in the use of propaganda art by governments to mobilize public support and demonize the enemy.

Dmitry Moor was a prominent Soviet poster artist whose works played a significant role in boosting morale and promoting patriotism during World War II.

Symbolism is often used in propaganda art to convey complex messages in a visually impactful and emotionally resonant manner.

J. Howard Miller created the iconic 'Rosie the Riveter' poster, which became a symbol of female empowerment during World War II.

Dadaism, with its emphasis on absurdity and anti-art, emerged as a response to the manipulation of art for propaganda during World War I.

Advertising art, commercial art, and marketing art all refer to the use of art to promote products or services.

Van Gogh's The Potato Eaters is known for its depiction of the harsh living conditions of the rural poor, reflecting his social consciousness.

Wang Guangyi is a prominent Chinese artist whose works explore political and social issues through the lens of pop art.

Dadaism, with its emphasis on anti-art and the use of found objects, often employed collage and photomontage to critique social and political issues.

Diego Rivera, a Mexican artist, is renowned for his large-scale murals that often addressed social and political issues in Mexico and beyond.