Red is commonly associated with warmth, passion, and energy due to its long wavelength and stimulating effect on the human eye.

Blue is a primary color, meaning it cannot be created by mixing other colors. It is one of the three additive primary colors, along with red and green.

Backlighting is a lighting technique where the light source is positioned behind the subject, creating a halo or rim light effect around the edges.

The complementary color of green is red. Complementary colors are pairs of colors that, when mixed together, produce a neutral color like gray or white.

Blue is often associated with calmness, serenity, and tranquility due to its short wavelength and calming effect on the human eye.

Purple is a secondary color created by mixing red and blue. It is one of the three subtractive primary colors, along with cyan and yellow.

Toplighting is a lighting technique where the light source is positioned above the subject, creating a dramatic effect with strong shadows and highlights.

The complementary color of orange is blue. Complementary colors are pairs of colors that, when mixed together, produce a neutral color like gray or white.

Yellow is often associated with joy, optimism, and creativity due to its bright and cheerful nature.

Orange is a secondary color created by mixing red and yellow. It is one of the three subtractive primary colors, along with cyan and magenta.

Frontlighting is a lighting technique where the light source is positioned in front of the subject, creating a flat and even illumination with minimal shadows.

The complementary color of yellow is purple. Complementary colors are pairs of colors that, when mixed together, produce a neutral color like gray or white.

Black is often associated with sadness, melancholy, and despair due to its absence of light and color.

Green is a secondary color created by mixing blue and yellow. It is one of the three subtractive primary colors, along with cyan and magenta.

Sidelighting is a lighting technique where the light source is positioned to the side of the subject, creating a sense of depth and dimension with strong shadows and highlights.