Plato believed that beauty is an objective quality that exists in the realm of Forms, and that it can be apprehended by the mind through contemplation.

Aristotle argued that beauty is a complex concept that involves harmony, symmetry, and proportion.

Hume argued that beauty is not an objective quality that exists in the world, but rather a subjective experience that is determined by the individual observer's tastes and preferences.

Kant argued that beauty is a subjective experience that is characterized by disinterestedness, universality, and necessity.

Plotinus, Augustine of Hippo, and Thomas Aquinas all argued that beauty is a manifestation of the divine, and that it can lead us to a deeper understanding of God.

Nietzsche argued that beauty is a complex concept that can change and evolve over time, and that it is not simply a youthful quality that fades with age.

Plato, Aristotle, and Plotinus all argued that beauty is a form of knowledge, and that it can lead us to a deeper understanding of the world.

Dewey argued that beauty is a complex concept that involves both subjective and objective elements, and that it is not simply a matter of personal taste.

Epicurus, Aristotle, and Thomas Aquinas all argued that beauty is a source of pleasure, and that it can lead to a more fulfilling life.

Kierkegaard argued that beauty and truth are related, but they are not the same thing. He believed that beauty can lead us to a deeper understanding of truth, but that it is not a substitute for truth.

Nietzsche, Foucault, and Butler all argued that beauty is a form of power, and that it can be used to control and influence others.

Beauvoir argued that beauty is a complex concept that is influenced by both social and natural factors, and that it is not simply a matter of personal taste.

hooks, Lorde, and Anzaldúa all argued that beauty can be a form of resistance, and that it can be used to challenge oppressive social norms.

Sontag argued that beauty is not a necessary condition for art, and that there are many other factors that can contribute to the value of a work of art.