The primary ethical responsibility of a film critic is to provide an accurate and unbiased assessment of the film. This means that the critic should avoid personal biases and should focus on the film's artistic and technical merits.

A film critic should keep in mind all of the above ethical considerations when writing a review. This will help the critic to provide a more informed and nuanced assessment of the film.

Whether or not it is ethical for a film critic to give a negative review to a well-made film depends on the circumstances. For example, if the film is morally objectionable, then it may be ethical to give it a negative review. However, if the film is simply not entertaining, then it may not be ethical to give it a negative review.

All of the above statements are true. A film critic provides an in-depth analysis of the film, while a film reviewer simply provides a summary of the plot. A film critic is more likely to be biased than a film reviewer, and a film critic is more likely to have a formal education in film studies than a film reviewer.

All of the above statements are true. Film critics face the ethical challenges of needing to be objective and unbiased, needing to avoid personal attacks on the filmmakers, and needing to protect the privacy of the filmmakers.

All of the above statements are true. The role of the film critic in society is to inform the public about new films, to help filmmakers improve their craft, and to promote film culture.

All of the above statements are true. A good film critic should have knowledge of film history and theory, strong writing skills, and the ability to think critically about film.

All of the above statements are true. Film criticism is more subjective than film theory, film theory is more concerned with the social and cultural context of film than film criticism, and film theory is more likely to use academic jargon than film criticism.

All of the above statements are true. Film criticism will become more important as film becomes more popular, film criticism will become less important as film becomes more accessible, and film criticism will become more diverse as more people from different backgrounds become film critics.

All of the above statements are true. Some of the ethical issues that arise in film criticism include the potential for bias and subjectivity, the need to balance artistic and commercial considerations, and the responsibility to protect the privacy of filmmakers and actors.