Research in Indian calligraphy and typography encompasses a wide range of topics, including the historical evolution of scripts, the influence of regional traditions, and the current trends and innovations in the field.

Brahmi is the earliest known script used in India, dating back to the 3rd century BCE. It is the ancestor of many modern Indian scripts, including Devanagari, Bengali, and Gujarati.

Nandinagari is known for its elaborate and ornate flourishes, which add a decorative element to the script. These flourishes are often used in religious texts and manuscripts.

Kalamkari is a traditional style of hand-painted or block-printed cotton textile originating from Andhra Pradesh. It is characterized by intricate designs and motifs inspired by mythology, nature, and everyday life.

In ancient India, palm leaves were widely used as a writing surface for calligraphy. They were prepared by drying and treating the leaves to make them smooth and durable.

Raja Ram Mohan Roy, a prominent social reformer and intellectual, played a significant role in standardizing and modernizing the Devanagari script in the 19th century.

Dual-hand calligraphy is a unique technique where the calligrapher uses both hands simultaneously to create symmetrical and intricate designs.

Jogen Chowdhury is a renowned contemporary artist who incorporates calligraphy into his paintings, sculptures, and installations. His works often explore themes of identity, history, and mythology.

Pattachitra is a traditional art form from Odisha, India, where intricate paintings are created on cloth or paper using natural colors. It often incorporates calligraphy, with verses from religious texts or poetry.

M.A. Ramaswamy, a renowned calligrapher and scholar, dedicated his life to reviving the Sharada script, an ancient Indian script used in Kashmir and parts of North India.

Contemporary research in Indian typography encompasses a wide range of topics, including the development of digital fonts, typographic experimentation, and the exploration of vernacular typography.

Satish Gupta is a renowned type designer who has created several digital font families inspired by traditional Indian scripts. His 'Akshar' font family is particularly notable for its elegant and authentic rendering of Devanagari and other Indian scripts.

Project Lipi is a comprehensive research project initiated by the National Institute of Design (NID) to document, digitize, and preserve traditional Indian scripts. It aims to create a comprehensive database of Indian scripts and promote their use in contemporary design and communication.

Achyut Palav is a renowned calligrapher and graphic designer known for his innovative use of calligraphy in advertising and branding. He has created distinctive logos, brand identities, and promotional campaigns for various companies and organizations.

The India International Calligraphy Festival is an annual event that brings together calligraphers, typographers, and design enthusiasts from around the world. It features exhibitions, workshops, lectures, and competitions, showcasing the diverse range of calligraphy and typography practices.