Lin-Manuel Miranda not only composed the music and lyrics for "Hamilton," but he also penned the libretto, showcasing his extraordinary storytelling abilities.

Alan Jay Lerner collaborated with Frederick Loewe to create some of the most beloved musicals of all time, including "My Fair Lady" and "Camelot," with his clever and sophisticated librettos.

Winnie Holzman adapted Gregory Maguire's novel "Wicked: The Life and Times of the Wicked Witch of the West" into the libretto for the musical "Wicked," exploring the untold story of the witches of Oz.

Tim Rice's partnership with Andrew Lloyd Webber produced some of the most successful musicals in history, including "Jesus Christ Superstar," "Evita," and "Joseph and the Amazing Technicolor Dreamcoat."

Brian Yorkey's libretto for "Next to Normal" delves into the complexities of mental illness and family relationships, earning him the Pulitzer Prize for Drama in 2010.

Trey Parker, along with Matt Stone, created the libretto for "The Book of Mormon," a satirical musical that pokes fun at organized religion and Mormon culture.

Jonathan Larson wrote both the music and libretto for "Rent," a groundbreaking musical that explores the lives of young artists and musicians struggling with poverty, addiction, and AIDS.

Michael Stewart collaborated with Jerry Herman to create some of the most beloved musicals of the 1960s and 1970s, including "Hello, Dolly!" and "Mame," with his clever and witty librettos.

Mel Brooks adapted his own 1968 film "The Producers" into a musical, writing the libretto and lyrics, and earning a Tony Award for Best Book of a Musical.

Jeff Marx, along with Robert Lopez, wrote the book and lyrics for "Avenue Q," a Tony Award-winning musical that combines puppets and human actors to explore adult themes in a humorous and thought-provoking way.

Irene Mecchi, along with Roger Allers and Rob Minkoff, wrote the screenplay for the Disney animated film "The Lion King," which was later adapted into a stage musical with a libretto by Julie Taymor.

Mark O'Donnell wrote the book for "Hairspray," a musical based on the 1988 film of the same name, which celebrates diversity and challenges societal norms.

Fred Ebb, along with John Kander, wrote the music and lyrics for "Chicago," a musical that satirizes the criminal justice system and the media's fascination with celebrity criminals.

William F. Brown wrote the book for "The Wiz," a musical that features an all-Black cast and incorporates elements of soul, funk, and R&B music.

Hugh Wheeler wrote the book for "Sweeney Todd: The Demon Barber of Fleet Street," a musical thriller that tells the story of a vengeful barber who murders his customers and bakes them into meat pies.