The primary purpose of using expressions in Kuchipudi is to convey emotions and ideas to the audience. The dancer uses facial expressions, hand gestures, and body movements to communicate a wide range of emotions, from joy and love to sorrow and anger.

Nritta is a pure dance form that does not involve any storytelling or expression of emotions. It is typically performed as a solo dance and focuses on the dancer's technical skills and rhythmic patterns. Nritya, Natya, and Abhinaya are all expressions used in Kuchipudi to convey emotions and ideas.

Abhinaya is the term used for the facial expressions used in Kuchipudi. It involves the use of the eyes, eyebrows, and mouth to convey emotions and ideas. Abhinaya is an essential part of Kuchipudi and helps the dancer to communicate with the audience.

Mudras are the hand gestures used in Kuchipudi. They are used to convey emotions, ideas, and objects. There are over 100 different mudras used in Kuchipudi, each with its own unique meaning.

Karanas are the body movements used in Kuchipudi. They are a combination of steps, jumps, and turns that are used to create a variety of patterns and rhythms. There are over 100 different karanas used in Kuchipudi, each with its own unique meaning.

Adbhuta is not a common rasa used in Kuchipudi. It is a rasa that is associated with wonder and amazement. It is more commonly used in other classical Indian dance forms such as Bharatanatyam and Odissi.

Rasa is the term used for the overall mood or atmosphere created by a Kuchipudi performance. It is a combination of the dancer's expressions, movements, and music. There are nine rasas in total, each with its own unique qualities.

Rupak tala is not a common tala used in Kuchipudi. It is a tala that is more commonly used in other classical Indian dance forms such as Kathak and Odissi.

Laya is the term used for the rhythmic patterns used in Kuchipudi. It is the combination of beats, tempos, and accents that create the rhythmic structure of the dance. Laya is an essential part of Kuchipudi and helps to create a sense of energy and excitement.

Adbhuta is not a common bhavana used in Kuchipudi. It is a bhavana that is associated with wonder and amazement. It is more commonly used in other classical Indian dance forms such as Bharatanatyam and Odissi.

Margam is the term used for the overall structure of a Kuchipudi performance. It is a sequence of items that are performed in a specific order. The margam typically includes a jatiswaram, a pada varnam, a sabdam, a varnam, and a tillana.

Kathakali is not a common item performed in a Kuchipudi margam. It is a classical Indian dance form that originated in the state of Kerala, India. It is known for its elaborate costumes, masks, and stylized movements.

Jatiswaram is the term used for the introductory item performed in a Kuchipudi margam. It is a pure dance item that is performed to a fast tempo. The jatiswaram is used to set the mood and tempo for the rest of the performance.

Dhoti kurta is not a common costume worn by Kuchipudi dancers. It is a traditional Indian outfit that is typically worn by men. Kuchipudi dancers typically wear a saree, lehenga choli, or ghagra choli.

Temple jewelry is the term used for the traditional jewelry worn by Kuchipudi dancers. It is typically made of gold and silver and is adorned with precious stones and beads. Temple jewelry is often inspired by the jewelry worn by deities in Hindu temples.