Structuralism in film theory focuses on the underlying structures and systems that govern the production and reception of films, emphasizing the causal relationship between these structures and the film's meaning.

Causality in film refers to the relationship between cause and effect as depicted in the film's narrative, exploring how actions and events lead to consequences and shape the story's progression.

Alfred Hitchcock is renowned for his mastery of suspense and tension in his films, often achieved through his skillful manipulation of cause-and-effect relationships, building up anticipation and uncertainty in the audience.

Character causality refers to the causal relationship between a character's actions and their consequences, exploring how a character's choices and behaviors lead to specific outcomes and shape their narrative arc.

Horror films frequently employ cause-and-effect relationships to create a sense of inevitability and doom, building tension as characters face the consequences of their actions or encounter supernatural forces beyond their control.

Formal causality in film theory explores the causal relationship between a film's form (e.g., editing, cinematography, mise-en-scène) and its meaning, examining how the film's aesthetic elements contribute to its overall significance.

The French New Wave, a film movement that emerged in the 1960s and 1970s, placed a strong emphasis on cause-and-effect relationships in film narrative, challenging traditional storytelling conventions and exploring new ways of depicting causality.

Cultural causality in film analysis examines the causal relationship between a film's historical or cultural context and its meaning, exploring how the film's themes, characters, and narrative are shaped by the cultural and societal factors of its time.

Christopher Nolan is renowned for his intricate and complex use of cause-and-effect relationships in his films, delving into the consequences of characters' actions and exploring the interplay between choice, fate, and morality.

Audience causality in film theory investigates the causal relationship between a film's audience and its meaning, exploring how the audience's expectations, interpretations, and experiences shape the film's significance and impact.

Thriller films frequently employ cause-and-effect relationships to create a sense of mystery and intrigue, building suspense as characters investigate clues and uncover hidden truths, leading to unexpected twists and turns.

Spatial causality in film analysis examines the causal relationship between a film's setting and its meaning, exploring how the film's location, architecture, and landscape contribute to its themes, atmosphere, and overall significance.

The Soviet Montage movement of the 1920s and 1930s emphasized the importance of cause-and-effect relationships in film narrative, using montage techniques to create a dynamic and visually striking storytelling style.

Ideological causality in film theory investigates the causal relationship between a film's ideology (e.g., political, social, cultural) and its meaning, exploring how the film's themes, characters, and narrative are shaped by its ideological perspective.

Action films frequently employ cause-and-effect relationships to create a sense of excitement and adventure, building tension as characters engage in high-stakes missions, thrilling chases, and explosive confrontations.