Bharatanatyam is a classical dance form from Tamil Nadu, known for its graceful movements, expressive storytelling, and intricate footwork. It is traditionally performed by women and often incorporates themes related to Hindu mythology and devotion.

Tatkar in Kathak refers to the rhythmic footwork and intricate patterns performed by the dancer. It is a fundamental element of the dance form, characterized by its complex combinations of beats, syllables, and movements.

Kathakali is a classical dance form from Kerala, known for its elaborate costumes, expressive hand gestures, and dynamic movements. It often incorporates themes from Hindu mythology and is traditionally performed by men.

Tribhangi in Odissi refers to the graceful and fluid movements that characterize the dance. It involves the dancer's body being divided into three parts - the head, torso, and legs - which move independently, creating a sense of fluidity and elegance.

Kuchipudi is a classical dance form from Andhra Pradesh, known for its intricate footwork, expressive hand gestures, and rhythmic patterns. It often incorporates themes from Hindu mythology and is traditionally performed by both men and women.

Vadi in Indian classical music refers to the main melody or theme of a raga. It is the most prominent note in the raga and serves as the foundation for improvisation and elaboration.

Khayal is a genre of Indian classical music known for its emphasis on improvisation and exploration of different melodic and rhythmic patterns. It is characterized by its intricate vocal ornamentation, expressive lyrics, and complex rhythmic cycles.

Arohana in Indian classical music refers to the ascending scale of a raga. It is the sequence of notes that are played or sung in ascending order, starting from the tonic (Sa) and moving up to the highest note in the raga.

Dhrupad is a genre of Indian classical music known for its devotional and spiritual themes. It is characterized by its slow tempo, deep and resonant vocals, and complex rhythmic structures. Dhrupad is often performed in temples and religious gatherings.

Avarohana in Indian classical music refers to the descending scale of a raga. It is the sequence of notes that are played or sung in descending order, starting from the highest note in the raga and moving down to the tonic (Sa).

Odissi is a classical dance form from Odisha, known for its graceful and elegant movements, often performed with a veil or scarf. It is characterized by its intricate footwork, expressive hand gestures, and rhythmic patterns.

Pakad in Indian classical music refers to the fixed melodic pattern that serves as the foundation of a raga. It is a short, distinctive phrase that is repeated throughout the performance and helps to define the raga's unique character.

Kathak is a classical dance form from North India, known for its energetic and playful movements, often performed with ankle bells or ghungroos. It is characterized by its intricate footwork, expressive hand gestures, and rhythmic patterns.

Sa in Indian classical music refers to the note that serves as the tonic or resting point of a raga. It is the fundamental note from which the raga's scale and melodic structure are derived.

Kuchipudi is a classical dance form from Andhra Pradesh, known for its intricate footwork and rhythmic patterns, often performed with a long, flowing skirt. It is characterized by its expressive hand gestures, graceful movements, and dynamic storytelling.