Abstract Expressionism gained prominence in the 1940s, particularly in New York City.

Surrealism, with its emphasis on automatic drawing and the subconscious, influenced the development of Abstract Expressionism.

Harold Rosenberg coined the term 'Abstract Expressionism' in his 1952 article 'The American Action Painters'.

The New York School, a group of artists associated with Abstract Expressionism, was based in New York City.

Pablo Picasso, while a significant figure in modern art, is not typically associated with Abstract Expressionism.

Drip painting, a technique where paint is dripped onto the canvas, was commonly used by Abstract Expressionist artists.

Action painting in Abstract Expressionism focused on the emotional and physical involvement of the artist in the creative process.

Abstract Expressionist paintings typically lack figurative elements, focusing instead on abstract forms and emotions.

Existentialism, with its focus on individual existence and freedom, influenced the existential themes explored by some Abstract Expressionist artists.

The Cold War and the threat of nuclear annihilation influenced some Abstract Expressionist artists to express feelings of nihilism and despair in their work.

Surrealism, with its exploration of the subconscious and organic forms, influenced the use of biomorphic forms by some Abstract Expressionist artists.

Abstract Expressionist art was often exhibited in galleries, which provided a space for the display and appreciation of contemporary art.

Abstract Expressionism had a significant impact on the development of Pop Art, which emerged in the 1950s and 1960s.

Edward Hopper, known for his realistic depictions of urban life, is not typically associated with the Abstract Expressionist movement.

Abstract Expressionism is significant for challenging conventional notions of representation and exploring new modes of artistic expression.