Tension in lyric poetry is often used to create a sense of suspense or anticipation, keeping the reader engaged and invested in the poem's unfolding.

Enjambment, the running over of a sentence or phrase from one line to the next without a pause, is often used to create tension and suspense by breaking the reader's expectations for a smooth flow of language.

Tension in lyric poetry often serves to heighten the emotional impact of the poem, creating a stronger connection between the reader and the speaker's emotions.

Tension and resolution are not mutually exclusive elements in lyric poetry. A poem can contain both moments of tension and moments of resolution, creating a dynamic and engaging reading experience.

Emily Dickinson is widely recognized for her mastery of tension in lyric poetry. Her poems often explore themes of death, loss, and the complexities of the human condition, creating a sense of suspense and emotional intensity.

Tension in lyric poetry can be used to create ambiguity or uncertainty through various techniques, such as juxtaposing contrasting images or ideas, employing multiple layers of meaning, and leaving certain aspects of the poem unexplained.

The line "The world is too much with us; late and soon," from William Wordsworth's poem "The World Is Too Much with Us" exemplifies the use of tension through enjambment. The sentence runs over from one line to the next without a pause, creating a sense of anticipation and suspense.

Tension in lyric poetry can contribute to the reader's engagement in multiple ways. It can keep the reader guessing about what will happen next, challenge them to interpret the poem's meaning, and create a sense of emotional connection between the reader and the speaker.

John Keats' "Ode to a Nightingale" is renowned for its exploration of the tension between the natural world, represented by the nightingale's song, and the human world, symbolized by the speaker's own mortality and existential musings.

Tension in lyric poetry can be used to convey a sense of emotional intensity through various techniques, such as employing strong imagery and figurative language, contrasting emotions or ideas, and creating a sense of conflict or struggle.

The line "I'm a riddle in nine syllables, an elephant, a ponderous house," from Emily Dickinson's poem "Because I could not stop for Death" exemplifies the use of tension through contrasting emotions. The speaker juxtaposes the lighthearted tone of a riddle with the somber image of death, creating a sense of emotional tension.

Tension in lyric poetry can contribute to the overall structure of the poem in multiple ways. It can create a sense of movement and progression, provide a framework for organizing the poem's themes and ideas, and help to establish a rhythm and flow in the poem.

T.S. Eliot's "The Waste Land" is renowned for its exploration of the tension between the past and the present, juxtaposing images and allusions from various historical and cultural contexts to create a sense of fragmentation and disillusionment.

Tension in lyric poetry can be used to create a sense of irony or paradox through various techniques, such as juxtaposing contrasting images or ideas, employing multiple layers of meaning, and creating a sense of conflict or struggle.

The line "My mistress' eyes are nothing like the sun" from William Shakespeare's Sonnet 130 exemplifies the use of tension through irony. The speaker subverts the conventional Petrarchan praise of a lover's beauty by ironically comparing his mistress's eyes to something less conventionally beautiful, creating a sense of tension and surprise.