In the early days of cinema, production designers were primarily responsible for creating realistic sets and props that would help to immerse the audience in the film's world.

The Cabinet of Dr. Caligari (1920) is considered to be a landmark in the evolution of production design due to its use of stylized sets and props to create a dreamlike and surreal atmosphere.

Cedric Gibbons is widely regarded as one of the most influential production designers of all time due to his work on over 1500 films, including many classics such as The Wizard of Oz (1939) and Gone with the Wind (1939).

During the Golden Age of Hollywood, production designers focused on creating realistic and immersive sets, designing costumes and makeup that would enhance the actors' performances, and using color and lighting to create a specific mood or atmosphere.

Blade Runner (1982) is known for its groundbreaking use of production design to create a futuristic and dystopian world, which has influenced countless other films and television shows.

In contemporary filmmaking, the production designer is responsible for overseeing the overall visual style of the film, collaborating with the director and cinematographer to create a cohesive visual aesthetic, and designing sets, props, and costumes that are both visually appealing and functional.

Schindler's List (1993) is known for its innovative use of production design to create a sense of realism and authenticity, which helped to immerse the audience in the film's historical setting.

In modern cinema, the primary goal of production design is to create a visually stunning and memorable experience for the audience, to support the storytelling and enhance the emotional impact of the film, and to create a cohesive and believable world for the characters to inhabit.

The Cabinet of Dr. Caligari (1920) is known for its groundbreaking use of production design to create a surreal and dreamlike atmosphere, which helped to establish the German Expressionist film movement.

In the pre-production phase of filmmaking, the production designer collaborates with the director and other key creatives to develop the film's visual concept, creates detailed sketches and storyboards to visualize the film's sets, props, and costumes, and conducts research and gathers inspiration to inform the film's visual design.

Lawrence of Arabia (1962) is known for its innovative use of production design to create a sense of scale and grandeur, which helped to capture the vastness of the desert landscape and the epic scope of the story.

In the post-production phase of filmmaking, the production designer oversees the editing of the film to ensure that the visual elements are consistent with the film's overall design, works with the colorist to grade the film and create a cohesive visual look, and supervises the creation of visual effects and ensures that they are integrated seamlessly into the film.

Alien (1979) is known for its innovative use of production design to create a sense of claustrophobia and tension, which helped to build suspense and create a truly terrifying atmosphere.

In the production phase of filmmaking, the production designer oversees the construction of sets and props, works with the costume designer to ensure that the costumes are consistent with the film's overall design, and collaborates with the cinematographer to determine the best lighting and camera angles for each scene.

2001: A Space Odyssey (1968) is known for its innovative use of production design to create a sense of wonder and awe, which helped to capture the vastness of space and the mysteries of the universe.