In Indian classical music, shruti refers to a microtone or interval smaller than a semitone. It is the smallest unit of pitch and is used to create the characteristic ornamentation and melodic nuances of Indian music.

The Fibonacci sequence, a series of numbers where each number is the sum of the two preceding ones, is found in the structure of Bharatanatyam, a classical Indian dance form. The Fibonacci sequence is evident in the rhythmic patterns, hand gestures, and body movements of Bharatanatyam.

Tala in Indian music refers to a rhythmic pattern or cycle. It is a fundamental element of Indian music and dance, providing the underlying rhythmic structure for compositions and performances.

Fractal geometry, which deals with self-similar patterns, is used to describe the intricate patterns found in Manipuri, a classical Indian dance form. The hand gestures, footwork, and body movements in Manipuri exhibit fractal-like patterns, creating a visually stunning and dynamic dance performance.

Raga in Indian classical music refers to a scale or melodic framework. It is a collection of notes that are organized in a specific manner and used to create melodies and improvisations. Each raga has its own unique characteristics and emotional associations.

The golden ratio, approximately 1.618, is found in the proportions of Odissi, a classical Indian dance form. The ratios of different body parts, such as the length of the arms to the length of the legs, and the width of the hips to the width of the shoulders, often follow the golden ratio, creating a visually harmonious and aesthetically pleasing dance form.

Drone in Indian classical music refers to a specific note or pitch that is sustained throughout a performance. It provides a continuous harmonic foundation for the melody and improvisation, creating a hypnotic and meditative atmosphere.

Symmetry, both in terms of body movements and formations, is a prominent feature in Kuchipudi, a classical Indian dance form. The dancers' hand gestures, footwork, and body positions often exhibit symmetrical patterns, creating a visually striking and harmonious performance.

Laya in Indian classical music refers to tempo and rhythmic structure. It encompasses the speed, duration, and organization of rhythmic patterns, providing the foundation for the melodic and improvisational aspects of the music.

Fractal geometry, which deals with self-similar patterns, is used to describe the intricate patterns found in Bharatanatyam, a classical Indian dance form. The hand gestures, footwork, and body movements in Bharatanatyam exhibit fractal-like patterns, creating a visually stunning and dynamic dance performance.

Raga in Indian classical music refers to a scale or melodic framework. It is a collection of notes that are organized in a specific manner and used to create melodies and improvisations. Each raga has its own unique characteristics and emotional associations.

The golden ratio, approximately 1.618, is found in the proportions of Odissi, a classical Indian dance form. The ratios of different body parts, such as the length of the arms to the length of the legs, and the width of the hips to the width of the shoulders, often follow the golden ratio, creating a visually harmonious and aesthetically pleasing dance form.

Drone in Indian classical music refers to a specific note or pitch that is sustained throughout a performance. It provides a continuous harmonic foundation for the melody and improvisation, creating a hypnotic and meditative atmosphere.

Symmetry, both in terms of body movements and formations, is a prominent feature in Kuchipudi, a classical Indian dance form. The dancers' hand gestures, footwork, and body positions often exhibit symmetrical patterns, creating a visually striking and harmonious performance.

Laya in Indian classical music refers to tempo and rhythmic structure. It encompasses the speed, duration, and organization of rhythmic patterns, providing the foundation for the melodic and improvisational aspects of the music.