Poverty in Indian cinema can be portrayed in various ways, serving as a source of inspiration, an obstacle to be overcome, a cause for sympathy, or a combination of these.

While poverty in Indian cinema often involves living in slums, lack of education, and unemployment, the stereotype of being content with their situation is less common.

The portrayal of poverty in Indian cinema can both raise awareness about poverty issues and create empathy towards the poor, while also reinforcing negative stereotypes.

Ethical considerations related to the use of poverty as a marketing tool in Indian cinema include exploiting poverty for commercial gain, misrepresenting the reality of poverty, and perpetuating negative stereotypes.

Filmmakers have a responsibility to accurately represent the reality of poverty, avoid exploiting poverty for commercial gain, and challenge negative stereotypes when portraying poverty in Indian cinema.

Taare Zameen Par is known for its sensitive and realistic portrayal of poverty without resorting to stereotypes.

The use of poverty as a marketing tool in Indian cinema can be justified if it raises awareness about poverty issues, leads to positive social change, and provides employment opportunities for the poor.

My Name Is Khan faced criticism for its portrayal of poverty, with some critics arguing that it exploited poverty for commercial gain.

Using poverty as a marketing tool can lead to desensitization towards poverty, reinforce negative stereotypes, and create a sense of hopelessness.

Salaam Bombay! is known for its realistic portrayal of poverty and its challenge to negative stereotypes associated with poverty.

Filmmakers can avoid perpetuating negative stereotypes when portraying poverty in Indian cinema by conducting thorough research on poverty, consulting with experts on poverty, and involving people from贫困 backgrounds in the filmmaking process.

City of Joy has been praised for its authentic portrayal of poverty and its avoidance of stereotypes.

The audience plays a crucial role in addressing the ethical issues surrounding the use of poverty as a marketing tool in Indian cinema by being critical of films that exploit poverty, supporting films that accurately portray poverty, and demanding more responsible filmmaking practices.

Slumdog Millionaire faced criticism for its portrayal of poverty, with some critics arguing that it misrepresented the reality of poverty in India.

The film industry can contribute to addressing poverty in India by producing films that raise awareness about poverty issues, supporting initiatives aimed at alleviating poverty, and providing employment opportunities for people from贫困 backgrounds.