The Pre-Raphaelite Brotherhood was a group of English artists who sought to revive the artistic styles and techniques of the early Renaissance. They believed that the art of the Renaissance was superior to the art of their own time, and they sought to create art that was more true to nature and more expressive of religious and emotional themes.

Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais were all founding members of the Pre-Raphaelite Brotherhood.

The Pre-Raphaelite Brotherhood published a journal called \"The Germ\" in 1850. The journal contained essays, poems, and artwork by the members of the Brotherhood.

The Annunciation, The Light of the World, and Ophelia are all considered to be important works of the Pre-Raphaelite Brotherhood.

The Pre-Raphaelite Brotherhood was critical of the Royal Academy of Arts and its emphasis on classical art. They believed that the Academy's standards were too rigid and that its focus on classical art was outdated.

The Pre-Raphaelite Brotherhood helped to revive interest in medieval art, challenged the dominance of classical art, and encouraged artists to paint more realistic and naturalistic scenes.

John Ruskin was not a member of the Pre-Raphaelite Brotherhood, although he was a strong supporter of their work.

The Pre-Raphaelite Brotherhood's second journal was called \"The Athenaeum\".

The Hay Wain is a painting by John Constable, who was not a Pre-Raphaelite artist.

The Pre-Raphaelite Brotherhood used bright and vibrant colors in their paintings. They believed that color was an important element of art and that it could be used to create a sense of beauty and emotion.

Edward Burne-Jones was not a member of the Pre-Raphaelite Brotherhood, although he was associated with the movement.

The Pre-Raphaelite Brotherhood's third journal was called \"The Spectator\".

The Fighting Temeraire is a painting by J.M.W. Turner, who was not a Pre-Raphaelite artist.

The Pre-Raphaelite Brotherhood used symbolism extensively in their paintings. They believed that symbolism was an important way to convey meaning and emotion in art.

Ford Madox Brown was not a member of the Pre-Raphaelite Brotherhood, although he was associated with the movement.