Cultural resistance in fashion involves using clothing and style as a means of expressing one's identity, challenging societal norms, and making a statement about one's beliefs or values.

Punks are known for their distinctive fashion style, which often includes spiked hair, leather jackets, combat boots, and other items that reflect their rebellious and anti-establishment attitude.

The zoot suit, with its wide-legged pants, long jackets, and colorful accessories, became a symbol of rebellion against wartime rationing and the conservative values of the time.

The hippie movement of the 1960s was known for its rejection of mainstream values and its embrace of individuality and self-expression. This was reflected in the fashion of the time, which included psychedelic prints, tie-dye clothing, and other items that symbolized the counterculture.

Rei Kawakubo, the founder of the fashion label Comme des Garçons, is known for her avant-garde designs and her use of unconventional materials, such as plastic and metal. Her work often challenges traditional notions of beauty and fashion.

The hijab, a headscarf worn by Muslim women, is a symbol of religious devotion and modesty. It is a way for Muslim women to express their faith and to comply with Islamic teachings on dress.

The punk subculture challenged traditional notions of gender and sexuality in fashion by embracing androgyny and gender-fluid clothing. Punks often wore clothing that was traditionally associated with the opposite gender, or they mixed and matched masculine and feminine elements in their outfits.

The New Wave fashion movement of the 1980s was known for its bold colors, geometric shapes, and oversized silhouettes. It was influenced by the music and art of the time, and it reflected the rebellious and experimental spirit of the era.

The grunge subculture of the 1990s challenged mainstream fashion by embracing thrift store clothing and anti-fashion aesthetics. Grunge fashion was characterized by flannel shirts, ripped jeans, combat boots, and other items that were considered unconventional or even ugly by mainstream standards.

The dashiki, a loose-fitting tunic worn in many parts of Africa, is a symbol of cultural identity and pride. It is often made with colorful fabrics and traditional African patterns, and it is worn by people of all ages and backgrounds.

The mod subculture of the 1960s challenged traditional notions of masculinity by embracing androgyny and gender-fluid clothing. Mod men often wore slim-fitting suits, colorful shirts, and other items that were considered unconventional or even feminine by mainstream standards.

Vivienne Westwood, a British fashion designer, is known for her use of deconstruction and unconventional materials in her designs. She often takes traditional clothing items and reworks them in unexpected ways, creating garments that are both innovative and thought-provoking.

The hip hop culture of the 1980s had a significant influence on fashion, leading to the rise of streetwear and sportswear. Hip hop artists and fans often wore baggy jeans, oversized t-shirts, sneakers, and other items that were comfortable and practical for dancing and performing.

The kimono, a traditional Japanese garment, is a symbol of cultural identity and tradition. It is worn by people of all ages and backgrounds, and it is often used for formal occasions such as weddings and tea ceremonies.

The flapper subculture of the 1920s challenged traditional notions of femininity by embracing shorter skirts and more revealing clothing. Flappers often wore dresses that were above the knee, and they often had low necklines and sheer fabrics. This was a significant departure from the long, modest dresses that were typically worn by women at the time.