The primary goal of conservation and restoration is to prevent further deterioration of the artwork, ensuring its preservation for future generations.

Acrylic paints are not typically used in the conservation of religious art due to their relatively recent invention and potential incompatibility with traditional materials.

Cleaning is the process of removing dirt and grime from the surface of an artwork, typically using gentle solvents and specialized techniques.

Varnishes are used to protect the artwork from UV radiation, which can cause fading and deterioration of the colors.

Altering the artwork to make it more appealing is not an ethical consideration in the conservation of religious art, as it compromises the integrity of the original work.

Restoration is the process of repairing or replacing damaged parts of an artwork, typically using materials and techniques that are compatible with the original.

Repainting is not typically used in the restoration of religious art, as it involves altering the original artwork and can compromise its integrity.

Documenting the conservation and restoration process is important for providing a record of the work that was done, helping future conservators understand the artwork's condition, and ensuring that the artwork is properly cared for in the future.

Insect infestation is not a common type of damage that religious art may suffer from, as most religious art is stored in controlled environments that prevent insect infestations.

Conservation is the process of stabilizing an artwork to prevent further deterioration, typically involving the use of specialized materials and techniques.

Metals are not typically used in the conservation of religious art, as they can be corrosive and damage the artwork.

Using reversible materials and techniques in the conservation of religious art is important to ensure that the artwork can be restored to its original condition, prevent further deterioration, and make the conservation process easier.

Mosaics are not typically considered religious art, as they are more commonly associated with secular art forms.

Stripping is the process of removing old varnishes and coatings from an artwork, typically using specialized solvents and techniques.