Indian philosophy emphasizes the harmonious interplay between the physical form and the inner qualities as the primary source of beauty.

The concept of 'Rasa' (aesthetic experience) was extensively explored in the Natya Shastra, an ancient Indian treatise on performing arts.

In Indian philosophy, 'Ananda' (bliss) is considered the highest form of aesthetic experience, transcending sensory pleasure and leading to a profound sense of fulfillment.

Abhinavagupta, a renowned Kashmiri Shaivite philosopher, stressed the significance of 'Bhavana' (contemplation) as a means to fully engage with and appreciate beauty.

The concept of 'Sattva' in Indian aesthetics refers to the state of purity and clarity of consciousness that is conducive to the appreciation of beauty.

Advaita Vedanta, propounded by Adi Shankara, viewed aesthetic experience as a reflection of the underlying unity of reality, while acknowledging the role of 'Maya' (illusion) in shaping our perception of beauty.

In Indian performing arts, 'Rasa' (aesthetic experience) is central to the artistic expression and aims to evoke a range of emotions and sentiments in the audience.

Bhartrihari, a renowned grammarian and philosopher, asserted that beauty is an inherent quality of objects and not solely dependent on subjective perception.

'Shanti' (peace) in Indian aesthetics encompasses the absence of conflict and disturbance, harmony and balance in composition, and a state of tranquility and serenity of mind.

Anandavardhana, a renowned Sanskrit rhetorician and theorist, highlighted the significance of 'Alaukika' (the extraordinary) in aesthetic experience, which transcends ordinary perception and understanding.

'Dhwani' (suggestion) in Indian aesthetics aims to elicit multiple meanings and interpretations, allowing for a deeper and more nuanced understanding of the artistic expression.

Gautama, the founder of the Nyaya school of philosophy, proposed the theory of 'Anumana' (inference) as a means of gaining knowledge and understanding, including aesthetic appreciation.

'Rasa-Dhvani' in Indian aesthetics refers to the harmonious blending of 'Rasa' (aesthetic experience) and 'Dhwani' (suggestion), resulting in a profound and immersive aesthetic experience.

Mammata, a renowned Sanskrit rhetorician and theorist, stressed the significance of 'Yukti' (reason) in aesthetic appreciation, arguing that logical analysis and reasoning contribute to a deeper understanding and evaluation of beauty.

'Sadhana' (spiritual practice) in Indian aesthetics aims to cultivate a state of aesthetic bliss, transcending the limitations of ordinary perception and experience.