Mulk Raj Anand's "Untouchable" is a powerful portrayal of the social discrimination faced by untouchables in India.

Velutha's caste as an untouchable plays a crucial role in the story, highlighting the social barriers and prejudices he faces.

R.K. Narayan's "The Lottery Ticket" satirically portrays the absurdity of caste-based discrimination.

Balram Halwai belongs to the Shudra caste, which is considered the lowest in the traditional Hindu caste system.

Shashi Deshpande's "The Caste" delves into the lives of individuals from different castes and religions, exploring their struggles and relationships.

Sai's conversion to Christianity is seen as a way to break free from the rigid caste system and its associated prejudices.

Shrilal Shukla's "The Great Indian Novel" is a satirical take on the caste system and its pervasive influence on Indian society.

Mr. Mahesh Kapoor views the caste system as an outdated and unjust social structure that impedes progress and social harmony.

Raja Rao's "The Village" delves into the intricate social dynamics of a rural Indian village, highlighting the interplay between caste and religion.

Piya's dual religious identity as a Hindu and a Muslim reflects the complex cultural heritage of the region where she lives.

Arundhati Roy's "The God of Small Things" examines caste discrimination within a Syrian Christian family, highlighting the pervasive nature of social prejudices.

Kuttan's conversion to Christianity is seen as a way to break free from the rigid caste system and its associated prejudices.

Jyotirao Phule's "The Caste System" is a seminal work that critically examines the origins, evolution, and impact of the caste system in India.

Ramaswamy views caste and religion as inextricably linked, believing that they shape each other and cannot be separated.

Anita Desai's "The Waiting Room" delves into the experiences of patients from different castes in a hospital, highlighting the pervasive nature of caste discrimination in Indian society.