Qawwali music has its own unique notation system, distinct from Western staff notation or Indian sangeet notation.

Theka refers to the basic rhythmic pattern that forms the foundation of Qawwali music.

Bandish refers to the melodic composition or framework in Qawwali music.

Taan refers to the improvisational section in Qawwali music, where the singer embellishes the melody with intricate vocal techniques.

Tabla and Harmonium are commonly used instruments in Qawwali music, providing rhythmic and melodic accompaniment.

Dhamaal refers to the call-and-response section in Qawwali music, where the audience participates by clapping and singing along.

Khatma refers to the concluding section in Qawwali music, where the performance gradually comes to an end.

Nizami Gharana is one of the prominent Qawwali gharanas known for its distinct style and lineage.

Taal refers to the rhythmic cycle in Qawwali music, which determines the overall rhythmic structure.

Teentaal is a common Qawwali taal, consisting of 16 beats divided into four equal parts.

Taan refers to the vocal ornamentation technique in Qawwali music, where the singer embellishes the melody with intricate vocal passages.

Nusrat Fateh Ali Khan is widely regarded as one of the greatest Qawwali singers of all time.

Hamd refers to the devotional Qawwali genre that praises God and expresses gratitude.

Tabla and Harmonium are commonly used instruments in Qawwali music, providing rhythmic and melodic accompaniment.

Khatma refers to the concluding section in Qawwali music, where the performance gradually comes to an end.