Alankaras are primarily used to enhance the aesthetic appeal of language, making it more vivid, evocative, and emotionally charged.

Tautology is a logical fallacy and not a rhetorical device used in Indian Aesthetics.

Upamana Alankaras are similes that create a direct comparison between two things using words like 'like' or 'as'.

Rupaka Alankaras use metaphors to imply a resemblance between two things, suggesting that one thing is another.

Yamaka Alankaras use repetition of similar-sounding words or syllables to create a sense of rhythm and flow in the language.

Utsava Alankaras use personification to attribute human qualities, emotions, or actions to non-human entities.

Arthantara Nyasa Alankaras provide a deeper philosophical meaning or insight by inserting a thought or idea that is not directly related to the main subject.

Atiśayokti Alankaras use exaggeration or hyperbole to create a striking effect and emphasize a point.

Vakrokti Alankaras use indirect or unconventional expressions to create a sense of surprise or delight, often through wit or irony.

Anuprāsa Alankaras use alliteration, the repetition of initial consonant sounds, to create a rhythmic effect and enhance the beauty of the language.

Virodha Alankaras use contradiction, paradox, or irony to create a sense of humor or surprise.

Śleṣa Alankaras use puns or wordplay to create humor or a double meaning.

Aprastuta Praśamsā Alankaras praise something indirectly by criticizing its opposite, creating a sense of irony or surprise.

Punaḥrukti Alankaras use repetition of words or phrases for emphasis or to create a rhythmic effect.

Vyatireka Alankaras create a contrast between two things by stating one and negating the other.