Elaborate camera movements are not typically associated with cinematography in Indian Middle Cinema, which often favors static shots and long takes.

Subrata Mitra is widely regarded as one of the pioneers of cinematography in Indian Middle Cinema, known for his work in films such as "Pather Panchali" and "Aparajito".

Nayakan, directed by Mani Ratnam, is known for its innovative use of cinematography, including long takes, fluid camera movements, and unconventional framing.

Shaji N. Karun is known for his work in the "Parallel Cinema" movement in India, which aimed to create alternative and independent cinema. His cinematography often incorporates long takes, natural light, and unconventional framing.

A long take is a technique in cinematography where a scene is shot in a single, continuous take, without any cuts or edits.

Salaam Bombay! is known for its use of natural light in cinematography, which helps create a sense of realism and authenticity.

Govind Nihalani is known for his work in the "New Wave" movement in Indian cinema, which aimed to break away from traditional filmmaking conventions. His cinematography often incorporates long takes, natural light, and unconventional framing.

A tracking shot is a technique in cinematography where the camera moves along with the subject, keeping it in focus.

Sholay is known for its use of elaborate camera movements, including crane shots, tracking shots, and aerial shots.

Ramchandra Rao is known for his work in the "Middle Cinema" movement in India, which aimed to create a balance between commercial and artistic cinema. His cinematography often incorporates elements of both realism and spectacle.

A tilt shot is a technique in cinematography where the camera moves up or down, keeping the subject in focus.

Nayakan is known for its use of unconventional framing in cinematography, including off-center compositions, Dutch angles, and extreme close-ups.

V.K. Murthy is known for his work in the "Regional Cinema" movement in India, which aimed to create films in regional languages and explore local cultures. His cinematography often incorporates elements of realism and authenticity.

A dolly shot is a technique in cinematography where the camera moves towards or away from the subject.

Nayakan is known for its use of symbolism in cinematography, including the use of light and shadow, color, and framing to convey deeper meanings and emotions.