In India, film distribution is handled by specialized companies known as film distributors. These companies acquire the distribution rights from producers and are responsible for making the film available to theaters, streaming platforms, and other exhibition outlets.

A distribution agreement is the legal contract between a film producer and a film distributor. It outlines the terms and conditions of the distribution, including the rights granted to the distributor, revenue sharing arrangements, and the duration of the agreement.

The theatrical window is the period of time during which a film is shown exclusively in theaters before it becomes available on other platforms such as streaming services or home video.

The Copyright Act, 1957 is the primary legislation in India that governs copyright protection for literary, artistic, and cinematographic works, including films.

In most film distribution agreements, the distributor receives a percentage of the gross revenue generated by the film's exhibition. This percentage varies depending on the terms of the agreement and the negotiation between the producer and the distributor.

Film exhibitors are responsible for screening the film in theaters or other exhibition venues, such as multiplexes, drive-in theaters, or film festivals. They provide the physical space and equipment necessary for audiences to view the film.

A minimum guarantee is a provision in a film distribution agreement that guarantees the producer a fixed amount of revenue, regardless of the film's box office performance. This amount is typically paid upfront or in installments during the distribution period.

A co-production agreement is not a type of film distribution agreement. It is an agreement between two or more producers to jointly produce a film, sharing the costs and revenues.

Film festivals serve as a platform for filmmakers to showcase their work to potential distributors and buyers. These festivals provide an opportunity for industry professionals to discover new talent, evaluate films for distribution, and negotiate acquisition deals.

Merchandising and licensing are not typically considered primary revenue streams for film distributors. These activities are usually handled by the film producers or specialized merchandising companies.

Film censor boards are responsible for reviewing and certifying films for public exhibition. They assess the content of films to ensure that they comply with legal and ethical standards, and they issue certificates that allow the films to be screened in theaters and other public venues.

Piracy, the unauthorized copying and distribution of copyrighted material, is a major concern in the film industry. It leads to lost revenue for producers and distributors, as people can access films illegally without paying for them.

Requiring the distributor to pay a flat fee for the distribution rights is not a common practice in film distribution agreements. Typically, distributors share revenue with the producer based on a percentage of gross revenue or other agreed-upon terms.

Film festival markets are organized alongside film festivals to facilitate the buying and selling of film distribution rights. Distributors, buyers, and sales agents gather at these markets to negotiate deals for the distribution of films in different territories.

Television distribution is not a common type of film distribution platform in the context of film distribution rights and ownership. Television distribution typically involves the licensing of films to television networks or channels for broadcast.