Relational Aesthetics emphasizes the creation of artworks that engage viewers and encourage them to interact with each other and the artwork itself.

Nicolas Bourriaud is a French art critic and curator who coined the term 'Relational Aesthetics' and is credited with defining the movement.

Relational Aesthetics artists aim to break down the barriers between art and everyday life and to challenge the traditional idea of the artwork as a static, isolated object.

Relational Aesthetics artists typically focus on creating artworks that engage viewers on a social and interactive level, rather than on representing abstract concepts or ideas.

Rirkrit Tiravanija's 'Untitled (Free)' is a participatory artwork that invites viewers to consume free food and engage in conversations with each other, blurring the boundaries between art and everyday life.

The term 'relational' in Relational Aesthetics emphasizes the importance of the relationships that are formed between artworks and their viewers, as well as the relationships that viewers form with each other through their engagement with the artwork.

Carsten Holler's 'Test Site' is an installation artwork that consists of a series of slides and tunnels, inviting viewers to navigate and interact with the space, creating a playful and immersive experience.

In Relational Aesthetics, the viewer is not merely a passive observer but an active participant who interacts with the artwork and other viewers, contributing to the meaning and experience of the artwork.

Anish Kapoor is a British artist known for his large-scale sculptures and installations, but he is not typically associated with the Relational Aesthetics movement.

Relational Aesthetics is influenced by institutional critique in its questioning of traditional art institutions and its exploration of alternative modes of display and engagement with art.

The concept of 'hospitality' in Relational Aesthetics refers to the welcoming and inclusive nature of Relational Aesthetics artworks, which often invite viewers to participate, interact, and engage with each other, creating a sense of community and belonging.

Relational Aesthetics is influenced by social practice art in its focus on social interaction, participation, and the creation of community-based artworks that address social issues and concerns.

Relational Aesthetics has had a significant impact on contemporary art practices, influencing artists to create artworks that engage viewers on a social and interactive level, and to explore alternative modes of display and engagement with art.

Relational Aesthetics artists face a number of challenges, including the difficulty of creating artworks that are both interactive and meaningful, the need to balance artistic vision with the needs and expectations of viewers, and the challenge of sustaining long-term relationships with viewers and communities.

The future of Relational Aesthetics is difficult to predict, as it depends on a variety of factors, including changing social and cultural conditions, the emergence of new art movements, and the continued interest and support of artists, curators, and audiences.