The cinematography of 'Pather Panchali' was heavily influenced by the novel 'The Song of the Road' by Bibhutibhushan Bandopadhyay.

The cinematography of 'Charulata' was inspired by the works of Rabindranath Tagore, particularly his novel 'Nastanirh'.

The cinematography of 'Do Bigha Zamin' was influenced by the works of Premchand, particularly his novel 'Godan'.

The cinematography of 'Do Bigha Zamin' was inspired by the works of Munshi Premchand, particularly his novel 'Godan'.

The cinematography of 'Devdas' was influenced by the works of Sarat Chandra Chattopadhyay, particularly his novel 'Devdas'.

The cinematography of 'Junoon' was inspired by the works of Ruskin Bond, particularly his novel 'The Room on the Roof'.

The cinematography of 'Swami Vivekananda' was influenced by the works of R. K. Narayan, particularly his novel 'The Guide'.

The cinematography of 'Train to Pakistan' was inspired by the works of Khushwant Singh, particularly his novel 'Train to Pakistan'.

The cinematography of 'Fire' was influenced by the works of Anita Desai, particularly her novel 'Fire on the Mountain'.

The cinematography of 'The God of Small Things' was influenced by the works of Arundhati Roy, particularly her novel 'The God of Small Things'.

The cinematography of 'Midnight's Children' was influenced by the works of Salman Rushdie, particularly his novel 'Midnight's Children'.

The cinematography of 'A Suitable Boy' was influenced by the works of Vikram Seth, particularly his novel 'A Suitable Boy'.

The cinematography of 'The Hungry Tide' was influenced by the works of Amitav Ghosh, particularly his novel 'The Hungry Tide'.

The cinematography of 'The Namesake' was influenced by the works of Jhumpa Lahiri, particularly her novel 'The Namesake'.

The cinematography of 'The White Tiger' was influenced by the works of Aravind Adiga, particularly his novel 'The White Tiger'.