The Alamkara Theory, also known as the Theory of Ornamentation, focuses on the use of figures of speech and other rhetorical devices to create beauty in literary and artistic works.

The Rasa Theory, propounded by Bharata Muni in the Natya Shastra, emphasizes the importance of evoking emotions and sentiments in the audience through the use of various dramatic elements.

The Dhvani Theory, developed by Anandavardhana, focuses on the concept of 'dhvani' or suggestion, which is the ability of poetic language to convey multiple meanings and evoke various emotions and sentiments.

The Anumana Theory, propounded by Udayana, emphasizes the role of intellectual reasoning and logical analysis in determining the aesthetic value of an object or experience.

The Rasa-Dhvani Theory, propounded by Abhinavagupta, combines the principles of the Rasa Theory and the Dhvani Theory, emphasizing the importance of both emotional evocation and poetic suggestion in aesthetic experience.

The Alamkara Theory, also known as the Theory of Ornamentation, emphasizes the use of figures of speech and other rhetorical devices to enhance the beauty and appeal of a work of art.

Advaita Vedanta Aesthetics, rooted in the philosophy of Advaita Vedanta, explores the relationship between aesthetic experience and the ultimate reality of Brahman, emphasizing the non-dualistic nature of consciousness.

The Rasa Theory emphasizes the importance of portraying universal human experiences and emotions in a way that resonates with the audience, evoking a range of emotions and sentiments.

The Dhvani Theory emphasizes the importance of 'dhvani' or suggestion, which allows a work of art to convey multiple meanings and layers of significance, often beyond the literal meaning of the words.

Mimamsa Aesthetics, rooted in the Mimamsa school of philosophy, explores the relationship between art and morality, emphasizing the role of art in promoting ethical values and social harmony.

The Anumana Theory emphasizes the role of intellectual reasoning and logical analysis in determining the aesthetic value of an object or experience, valuing works that stimulate the intellect and provide insights into the nature of reality.

Kashmir Shaivism Aesthetics, rooted in the philosophy of Kashmir Shaivism, explores the relationship between beauty and the divine, emphasizing the aesthetic experience as a means of realizing the ultimate reality of consciousness.

The Rasa Theory identifies eight primary 'rasas' or emotions that can be evoked in the audience through the portrayal of various characters, situations, and events in a work of art.

The Dhvani Theory emphasizes the importance of 'vyañjana' or implication, which allows a work of art to convey hidden meanings and layers of significance, often beyond the literal meaning of the words.

Marxist Aesthetics, rooted in the philosophy of Marxism, explores the relationship between art and the social and cultural context in which it is created, emphasizing the role of art in reflecting and shaping social and political realities.